The Scum (The front page of a typical UK newspaper)

'Obey' (A webcomic about the reality threatening cult of collectivism)

Under the collectivist model, truth and morality is defined by the consensus of the group, therefore objective (outside of the group) truth and morality do not exist. The individual that argues for moral truth is wrong, not because of the strengths (or weaknesses) of his argument, he is wrong because he is not part of the group, and therefore, does not exist. If you want to know more about collectivism, please watch this excellent video....

Government Girl vs. The Truther (A webcomic about the deliberate suppression of truth)

Abyssal - The Cornucopian: The Awakened Force of the Sacred Masculine

Play track, and read.......

Do you hear that quiet discontented, maladjusted male voice stirring? At first in chaos, disorganised, so many nails, standing up, isolated, separated, disorganised, inefficient in solitude, then finally, together, rising above the parapet, in rage, unafraid any longer to sleep amongst the feminised, sedated hordes. We rumble our discontent, individualistically, believing our cry will never be heard, we cry anyway, a defiant roar of anger, a no, a refusal to join, to accept the collectivisation of acquiescence, until finally, a damn bursts, our individual voices merge as one, and a crescendo of violent rhythm crashes, like a wave against the anaesthetic hordes. The elite’s cry out in horror, it wasn’t supposed to be like this, the sheeple were to sleepwalk into tyranny, but no, the enemy, humanity, with the sacred masculine leading the charge, has risen, as one, as a NO, a defiant fist into the face of globalisation, of neoliberalism, of multiculturalism of cultural Marxism. The wall of tell lie vision iphone helplessness collapses under a tide of righteous male anger, a refusal to lie down and accept their plans for Armageddon, their dreams of chaos before their new world tyranny, the days before the end. Awakened in violent fury, the weakness of collectivised power collapses overnight against the barrage of western masculine holocaust aggression. The battle is short, and the dark suit wearing demons are banished to the pit where they belong. Man acts. God is the judge. A world reclaimed, the wall of obliterating masculine anger subsides, and calm returns, there will be no more sleeping, we wait in guard, tyranny will be kept in check, the sacred masculine watchmen of western civilisation sleep no more. We wait, in preparation, for tyranny to stir again. A single velvet glove, with iron fist, a smile for all, but warning to those that would collectivise the future. Humanity settles, the world prospers under free association, the non-aggression principal and golden rule being the moral law of the land. No more coercion, no more statism, no more uniforms, and no more leaders. The imperfect ape-like being, blessed with the divine gift of God consciousness, finally achieves its brave new world. It’s not the one the globalists had been ‘banking’ upon.




This piece was inspired by 'The Cornocopian' by Abyssal.

'The Cornocopian' is from the 10/10 album Antikatastaseis, by Abyssal, released on June 23rd 2015. BUY IT.

Abyssal bandcamp page: https://abyssal-home.bandcamp.com/

The Comic Book Industry 2015: Decadence, nostalgia, identity politics and western decline

Do you remember that scene in ‘Interview with the Vampire’ where the vampire Armand (Antonio Banderas) begs Louis (Brad Pitt) to take him away from the boring vampires that are driving him insane with their inability to connect to the world around them?

That feeling of being stuck within a group that is unwilling, or unable to reflect/connect with the reality around them is pretty much how I feel about 99% of the comic books that I read today.

I read two last night. The Hangman #1 (Dark Circle Comics) is about a gangster, and a ghost vigilante. It’s cliché, uninteresting, perfunctory, going through the motions, reflecting nothing, saying nothing, and not even trying to. Plus, it’s half a comic, so you are not even getting good value for money.

The second comic book was Batman Europa #1 (DC). Just think of all of the things that are going on in Europe right now, all of the issues with immigration, terrorism, austerity and mass unemployment. Is any of this reflected in Batman Europa #1? No, it’s not. The book is set in ‘Berlin’ but the references are cold-war era, and read like the writer has done a quick five-minute search on Wikipedia. Batman is fighting Joker. He has infected him with a virus. The Joker has it as well. They have to work together to find a cure. What has this got to do with anything that is happening in Europe in 2015?

The Hangman #1 and Batman Europa #1 have ‘cool’ front covers, and decent artwork, but that’s all they have to offer. They are all surface, no meaning, and in that sense they are the perfect embodiment of the comic book industry as it is today.

Who wants to read a bunch of left-wing college Marxism, nostalgia and cold-war references that are woefully out of touch with the neo-liberal western world as it is today? Not me, that’s for sure. I don’t want identity politics. I don’t want nostalgia, and I don’t want to die from ennui like the Armand character in Interview with the Vampire.

I know that a lot of comic book fans are happy with the status quo of the comic book industry, but I need more, and that is why I am starting to write my own narratives.

If comic book writers are unwilling or unable to connect with the world as it is today, then I’ll do it for myself. I have to. I have a lot to say. I want to create, to express myself, and to talk about how the west is crumbling into nostalgic decay through the deliberate avoidance of reality.

Batman Europa #1 and Hangman #1 are not bad comic books. They are not interesting enough to be bad. They are average, and that’s all they are trying to be.

Give me bad over average any day of the week. At least bad conjures up some kind of emotion. Average just leaves me feeling empty, like Armand. Nothing bad was happening to him, he was just very, very bored. That movie was released in 1994, but in many ways the character of Armand reflects the state not just of the comic book industry, but of western culture as it is today.

Here’s a reality check. Collectively speaking, our culture is in decline. We are now vulnerable to attack from rival cultures (Islam) but the weakness comes from within.

The baby-boomer generation of the 1960’s has left a generation of soft, insecure people that are unwilling, or unable to defend themselves from attack, and rather than defend what has been built before, they are actively working (whether consciously or not) to destroy it from within. That’s the hard truth, and you are not going to see it being reflected in contemporary comic books due to politically correct ‘diversity’ training that comes from the ‘progressive’ Marxists in state funded university systems.

Why are western elites, working within governments institutions, funding their own decline? That’s a complicated issue, but in short, it’s to bring about their New World Order. Order out of chaos, they will destroy the old to bring about the new.

To fix a problem, the first thing that you need to do is to identify that there is a problem in the first place. I have identified it, and I plan to do something about it. I will write my own narratives, my own stories, and my own comic books. I will write them again and again and again until I get very good at it. I’m not going to wait around for somebody else to do it, because it’s very clear to me now that that’s not going to happen.

Can you write a culture out of decline? Probably not, but you can at least document it as it happens, and so that is what I will do.

50-Word-Review: The Uncanny Inhumans #1- Starring Christine Legarde as Medusa

Writer: Charles Soule
Artist: Steve McNiven
Publisher: Marvel/Disney
Released: 21st October 2015


Medusa as Christine Lagarde, Hillary Clinton, Angela Merkel, totalitarians masquerading as liberators, protectors. Humanity enslaved to collectivised left, on the Daily Show/ CNN. Male emasculation as female liberation, cheat on your husband, in his face, no shame, immorality is tolerance, kill tradition, diversity a mantra, collectivisation, feminist New World Order.



Rating: 2/10


There’s two stories going on in ‘The Uncanny Inhumans #1# but they didn’t particularly grip me. The first one involves Black Bolt trying to get his son back from cartoon evil ‘Kang the Conqueror.’ The second story involves his wife (Queen Medusa) acting like a globalist politician, ‘Your world is our world. We will always fight to keep it safe.’ Medusa is the empowered boss of this book, working with what looks a UN approved superhero diversity team, appearing on collectivist, progressive media platforms (The Daily Show), and concluding her day by kissing her new boyfriend in front of her ex-husband’s (are they even divorced yet?) face. What does she think about her missing son? It is her son, as well as Black Bolt’s, right? We don’t know, as she never mentions it, she’s far too busy with her political agenda, and new boyfriend to care about a missing boy, even if he is her own son. Oh, by the way, she’s a heroine in this book, not a villain. Yep, what we have here is the typical ‘progressive’ feminist protagonist, more concerned with her career and personal pleasure than the welfare of her own family. She’s not a woman, she’s a representation of the very worst kind of man, but that’s third-wave feminism for you, and that’s exactly what you are getting in this comic book. Female empowerment is always pushed as a good thing as it emasculates men, denies the biological reality of femininity, and pushes females into positions of authority within the new state collectivist system of human enslavement. Females are encouraged to join this system where they can boss around/protect the poor innocent victim/voters that grovel at their feet in willing supplication. Females know what is best, because they are female, and they get to tell us all what to think, feel and do. If you disagree with them that means you are you are a misogynist bigot and are a danger to the wonderful new world order that is currently being ushered in by the wonderful progressive liberal writers working for globalist programmers Marvel/Disney comics. If you disagree with any of this progressive agenda then you are a barrier to ‘progress,’ to be ostracised from society and thrown in jail if you continue to speak up on any of these issues and invade the ‘safe space’ non-reality of all that push it. Hey guys, blokes, men, and any traditionally minded female who values family, respect, honour and real femininity over far-left communist inspired ideology. Why are you reading these comics? You do realise that they are attacking YOU, don’t you? I read them to expose this anti-human ideology, and to talk about it in these ‘reviews,’ because nobody else is doing it, and comic books are being given a free reign to push this collectivist crap. I have to write about it, because I disagree with what they are pushing, and I want to call them out on it. That’s my excuse for (occasionally) buying these horrible tools of Marxist/Globalist/FemiNazi propaganda. What is yours? 




* Bonus story is statist bull**** with an agent of the state rescuing a poor innocent helpless civilian/victim from evil white men with beards. Same old s***.

Walk Away: To reclaim ownership of yourself

By: Mark.A Pritchard (aka SwindonPoet/Rorshach1004)
Date: 15th September 2015



I understand the feeling, the need intensifying, to leave it all alone.

To smile, though nobody looks, cares.

To turn from the noise, from the jump on sentences, repeating themselves for infinitely.

Recycled ideologies, personality types, life stories, falling for the same old tricks, again and again.

Our age, our time, our ruination, humans devolving, and now, it’s time to walk away from the crowd.

Degenerated mass, circus animals, performing tricks, to amuse each other, not caring about their own enslavement.

They love it.

They really do.

Exchange whip, fight for ownership of coercion.

Sales talk, just talk, they love a good con man, woman now.

The only option for the awake is to walk, away from their cage love, circus love, love of the lie.

To leave the car in rush-hour traffic, throw the iphone away, embrace the quiet solitary life, away from the dull noise collective.

Broken routine, reclamation, noise fading, mind silence, quietude expansion, a chosen walk, away.

Marvel’s Civil War: The Death of the Superhero and Rise of Comic Book Collectivism

Article by: Mark.A Pritchard (aka Rorshach1004/SwindonPoet)
Date: 11th September 2015



‘The Iron has spent the last six years isolating us from the rest of the world. They have embargoed our trading partners. Threatened those who help us. Spread lies.’ (Captain America in Civil War #4-2015)

Do American (and western) comic book ‘geek’ readers see the irony in that statement?

The words come from the mouth of Captain America, the ultimate American comic book hero, and what he is describing (and decrying) is US foreign policy since the end of WW2. He is outlining a deliberate strategy of economic isolation/suffocation deliberately designed to achieve hegemony and domination over an entire planet. It is a policy that has led to the deaths of millions of innocent people who never had a chance, people who died because of the deliberate policies coming from western democracies.

The original Civil War, by Mark Millar.

That is the policy of the west. That is the policy of the ‘heroes.’

Will readers see the statement as a critique of what America actually is? Will they see the reality behind the statement, or will it just be another piece of comic book story-telling that is read, forgotten, and seen as play-time fun and games that has nothing whatsoever to do with the real world?

My guess, and it’s just a guess, is that readers will read it as part of the story in Civil War #4, and will leave it at that. Captain America has given a speech that could easily have come out of the mouth of Saddam Hussain, or Muammar Gaddafi, or Bashar al-Assad, or Vladimir Putin. It’s a speech that could have been given by any leader that has seen his country targeted for destruction by western ‘democratic’ neo-liberal corporate hegemony.

What would happen if readers carefully analysed the statement made by Captain America, and looked at what has happened in the real world over the past few decades? How would they see the US as a force for good in the world? They would be forced to re-evaluate, and to re-consider what they personally are doing in the world, how they, through paying their taxes, and supporting the state, are complicit in what has happened, what is happening and what it going to happen next.

What is going to happen next is war, a big war waged against Iran and Russia, the last two holdouts against western imperialism. It will be called World War 3, and it will be the last war. The end result will be a nuclear holocaust, a tiny population of world-controllers, and a slave population of five hundred million people.

Comic book readers need to put down the comic books, look at recent world history, and decide whether or not they want to go along with the unfolding agenda. They do have a choice; they don’t have to go along with it. They have a voice, and they can use it, if they want to.

The new 'Civil War' by Charles Soule.

This is not silly conspiracy stuff, it’s recent world history, and it’s happening right now as I type these words. Writer Charles Soule puts his words of truth into the mouth of Captain America at the beginning of Civil War #4, but then the book unfolds in a convoluted, contradictory fashion that makes pretty much no sense whatsoever, thus diminishing the impact of the opening statement. However, the statement is made, and it cannot be unmade. It’s truth in a genre that sees very little truth at all, and now it’s up to us to decide whether or not we want to face that truth, or just go back to reading comic books as usual.

US superhero comic books don’t do heroes anymore. Tony Stark won the original Marvel Comics Civil war, and the superheroes became agents of the state. Captain America, the symbol of individualism, of freedom from state control (Yes, I know it’s ironic, but perhaps he’s just represented the old America?), surrendered, and was murdered. Mark Millar wrote that ending in 2007. It was the correct ending to write.

Contemporary comic book heroes are collectivists, controlled by the state, working for the state. The era of individualism died with the death of Captain America in the original Civil War. What has followed since has been painful to watch, with Marvel and DC comics celebrating collectivised, order following, ‘heroes’ and the death of individualism and true heroism. The independent, moral, liberty minded heroes have become unthinking soldiers. I'm sorry, but soldiers are not heroes, no matter what the propaganda coming out of the state tries to tell you. Soldiers follow orders. Right and wrong does not figure in their actions, morality does not figure in their actions, they do what they are told to do, no questions asked, see Bradley Manning for more details.

Marvel’s original Civil War story-arc and this new extension of the original story (by Charles Soule) reveals a brutal truth about the death of individualism in post 9/11 America. That truth might be clouded and hidden within a jumble of plot twists, super-powered personality issues and contradictions, but the truth is there, and is something that we all need to understand.

Art from Yu, on the new Civil War #4

As the US Empire continues to crumble and morph into a one-world government, at least we all know how it happened, and who was responsible. The coming New World Order was made possible by the economic strangulation of sovereign states, a siege policy that ends in war or capitulation. All countries that have refused to be dictated to by US led corporate, neo-liberal hegemony have been under economic siege for decades, and those still holding out are being targeted by western intelligence agencies, NGO’s, mercenaries and the western backed lunatic army known as the Islamic state.

The policy of total, global domination is at the centre of western, neo-liberal political consensus. When you vote, you vote for war. All parties belong to the cult of neo-liberalism; your only choice is between personalities, not policy differences. Corporate lebensraum has made the world what it is today. Do you like it?

I personally am not a fan.

So who is to blame? It’s not the politicians or the liars on the television. They are there because we allow them to be there. We built their houses. We bred children to be used as their slaves, and now our children have guns, and the guns are turned at us.

We are to blame.

We built neo-liberalism.

We built it, brick by brick, vote by vote, order followed, after order followed. We refused to look as we slaved away at its construction, but we built it. It is our fault. The world is the way it is today because we had free choice, and we decided to give away our freedoms to the illusion of authority, because men and women calling themselves ‘Government’ ordered, and we chose to obey them.

Iron Man, a symbol of collectivism over individualism.

We shout and scream at the individual pawns, yet we play their game, we vote, we get what we deserve, we are willing dupes, and we have allowed ourselves to be used, abused, divided and killed. The world could be a beautiful place of free choice, free association, individualism and self-determination, but we didn’t want that. Instead, we chose collectivism, and if we continue to be spectators in our own lives then what happens next will be exactly what we all deserve.

Hoping for change will not change a thing, action is what is needed.

Real life heroes are individuals, people who do things not for ideology, reward or status, but because it’s the right thing to do. Change comes from action, from doing something, not hoping for somebody else to do it for you. Government kills all ideals of action and individualism and replaces it with the all-encompassing collective merged prison identity of the state.

We are living during a time of neo-liberal, cross-party consensus tyranny. We can change it, if we want to, but here’s my opinion on the matter. I think that some people would rather read comic books and go along with it, and some people would rather join it, than fight it.

A lot of people have become lazy, immoral, complacent, greedy and selfish. A lot of people are scared, or apathetic, or perhaps they are just confused? Learnt helplessness is a powerful weapon of the neoliberal corporate elites, and it’s pumped out 24/7 from their mainstream media indoctrination centres masquerading as ‘news.’  The message is to comply and that all resistance to neo-liberalism is futile. You are small, you cannot do anything, stand-down, comply, do what you are told.

Complicity, fear, apathy and confusion together with learnt helplessness imprison the programmed, collectivised masses and the end result is millions of people complying with their own enslavement and serving the system that imprisons them all.

Choose Cap, choose individualism over collectivism.

Individualism has become a bad word. It is being discouraged, because it is the individual that will destroy the collectivised state. We need to stand up, as individuals, not as a group. We need to re-learn how to say NO, and to do things for ourselves. That’s what I think. That’s what I think about the world today.

Comic books reflect reality, and the reality is that we have become collectivised slaves to state authority. Tony won, collectivism won. Cap lost, individualism lost. The world we live in today, the western world, the comic book world, it’s a defeated world. But is it over? Oh no, not yet.

I’m a scrappy bloke, and I’m up for a comeback fight. Cap died, but death is temporary in comic books, and here’s a truth, it’s temporary in the real world as well.

We die, sure, but the soul cannot die. The soul is immortal. The body dies, but we return, the fight does not end, it goes on, we live, learn, balls things up, but it’s never over.

Neo-liberal collectivist ideology might be in the ascendant right now, but that doesn’t mean that you have to go along with it.  I’m up for a fight. I’m up for saying no, and I’m ready to kick neo-liberal collectivist slave ideology in the balls. I’m not a superhero, but I’m not a slave either. I’m an individual, and individualism is the silver bullet that will kill the murderous ideology of neo-liberal state collectivism.

My blog is small, and it might only be read by a handful of people, but that won’t stop me from saying what needs to be said, and from talking about what is happening in the world today. Comic books reflect cultural consensus, but cultural consensus changes. We are living during a time of rising state collectivism, a time of war, lies and propaganda, but it doesn’t always have to be like that.  We can turn things around, but the only way that we are going to get out of our self-dug pit of collectivism is to realise that we are standing in a hole in the first place.

Secret Wars #4- What is a superhero?

Writer: Jonathan Hickman
Artist: Esad Ribic
Publisher: Marvel (Disney)
Released: 1st July 2015



Go to a comic book shop, pick up a new superhero comic book, read it, and ask yourself the following question:

What is a contemporary mainstream comic book superhero?

Grant Morrison thinks that they are stand-ins for soldiers.

I agree.

They are soldiers, and what do soldiers do?

They follow orders.

Who TODAY is in charge, and who is giving the orders?

According to the mainstream media it’s the Clintons, Blairs, Obamas, Camerons and all of the other blue and red puppets.

Puppets?

Yes, puppets.

But if they are puppets, who is controlling their strings?

The neoliberal corporate/banking elites.

Who are they?

They are the people who run the privately owned banks and corporations that fund governments. They are the globalists, the western elites, the new world order.

Back to comics, back to superheroes.

A superhero is a soldier, soldiers take orders from political puppets, the new world order is a corporate entity, and mainstream comic books are a part of that corporate entity. Therefore, a superhero appearing in a mainstream comic book is a soldier working for the new world order.

Did that truth taste bad? I hope so, because truth is a bitter pill to swallow, and that is why people don’t like it, and get upset when you try to force it down their throats. I understand, but I want to talk about more than the art and panel designs in comic books. I want to talk about the world, and comic books are the platform that I use to do that.

So what does the new world order want?

They want one world government, and total control of the entire planet.

What is the role of a soldier/superhero in the new world order?

Their role is to eliminate all opposition to the new world order.

Therefore, all ‘villains’ in contemporary comic books have to represent a threat to the new world order.

The villain in Secret Wars #4 is Doctor Doom, a crazed dictator type.

It’s always a crazed dictator type, in comic books, and in the real world.

The crazed dictator will sit on a throne, scare people, act like a villain, and cause problems until he is finally defeated by the soldiers/superheroes.

In Secret Wars #4 that process is progressing towards its inevitable conclusion. Doom fights the soldiers, and he acts like a power-crazed delusional madman. He wins a battle, but in the long run he will lose the war.

That’s how contemporary corporate entity comic books work. A dictator threatens the status quo, soldiers/superheroes are sent in, cue battles and some character stuff, the dictator is defeated, and it’s back to the beginning again.

In comic books it’s The Joker, Doctor Doom, Magneto, The Red Skull and Lex Luthor.

In the real world it’s Hussein, Bin Laden, Gaddafi, Assad and Putin.

Comic books villains exist to serve the narrative, to sell comic books.

Real world villains exist to serve the narrative, to sell the new world order.

Secret Wars #4 is a comic book about superheroes/soldiers fighting against the latest dictator, the latest threat to the new world order.

It’s a comic book that people will read and enjoy. They will discuss the art, the characters, the fights and the plot. Deeper issues and socio-political assumptions that are made within the text will not be discussed.

I will be ignored, or criticised, more of the former, a little of the later, if I’m lucky. That’s okay. The new world order relies on the consent of the governed. If the people want it, then they’ll get it. That’s the world that we live in, that’s the world that we want, that’s the world that we deserve.


Rating: 7/10 (Starts better than it ends, and it’s all about the characters now)

2000AD PROG 1937-Review- At least a beaten dog knows how to lie

Writers and artists: Various
Publisher: Rebellion (Rebellion?)
Released: 1st July 2015



It’s supposed to be hot today, but I’m not hot. I’m cool, man. Yeah, ha ha, I’m cool alright, that’s why I read comic books, and that’s why I’m spending my time now, indoors, typing away, listening to black metal and writing more words about PROG 1937 of 2000AD than anybody else will bother to do. And why should they bother? It’s hot, they are outdoors, doing sweaty stuff, but I’m cool, so I’ll stay indoors doing cool stuff, and onto the review.

It starts with Judge Dredd, we get some torture, it works, and I’ve had enough of the story already. Torture doesn’t work in the real world, but as long as they pretend that it works in the realm of fiction (see 24) the justification stands. All evidence coming from western torture centres (Guantanamo Bay) that demonstrates how torture actually works (it plants information, rather than extracting it) continues to be ignored by a criminally complacent, compliant, condoning mainstream media. Until torture is shown for what it actually is, nothing changes.

Absalom starts in a 1980's UK care home with some Satanic child abuse. It’s nice to see some reality in 2000AD for a change. I’m not joking btw, see David Icke for more details. However, it denigrates quickly with the cops acting as heroes trying to protect the public. Sorry, but reality doesn’t work like that. Cops work for the state, not the public. They protect their masters, like the obedient dogs that they are. The tax paying, voting for slavery, cattle public is controlled, not protected, and cops are little more than the dogs of the corporate elites. Don’t believe me? Try going to a cop when you need help, and see what his response is. They don’t care, because it’s not their job to care. It’s their job to maintain the status quo of their masters, and that is what they do. Absalom ends this week with a reference to Jim Davidson, a comedian whose jokes were woefully dated in 1993. Oh dear. How long does this one run for?

Helium is starring another dog of the elites, a female dog this time. The world controllers love female dogs, they are so materialistic, so career orientated, so easy to control, and so willing to do anything, as long as it pleases their masters. Girl power baby, anyway, this female dog/cop is on protect the public duty, just like Absalom, so at least 2000AD has it’s story straight. Cops protect, remember that, even though it’s not true. The story is better than Absalom, but it is very progressive with men in the role of women and women in the role of men. Welcome to the New World order kids. Don’t be sexist, have a nice day. The story ends with a bloke talking about destroying the world in order to save it. Hey, with a progressive mindset like that the guy is perfect new world order material. If he does what he is told and looks good on the tel lie vision he could even be a future EU technocrat, head of a troika bank or the next US president. Quick, somebody get him a scholarship immediately.

I’m in no mood for nonsense this week. It must be the weather, as truth is boiling up, and rising as steam from my keyboard, and onto the screen, vomited onto the Internet for one man and his dog to look at, dismiss, and to continue their lives as usual.

Next story in 2000AD is Outlier. Oh crud. I couldn’t make any sense of it last week. This week must be better, right? Oh, double crud, it’s beginning with a weak man and a strong, determined, steely-eyed woman bossing everyone around. I see patterns evolving. I read on, and they’re soldiers, or cops, more dogs of the elites. Patterns man, patterns, they form a whole, and the picture is tyranny in a uniform, wearing lipstick, smile, comply or they’ll send the drones.

I’m almost at the end of PROG 1937 of 2000AD now, with one story to go, and it’s been about worship of the uniform, of authority, of female authority working for the corporate elites. That’s not good, but I have faith, so onto the final story, a new one, Jaegir/Tartarus- Part One. Ah man. Here we go again, a female soldier, bossing around the men on the first page, she’s tough in control, action, now back-story.  The villains in this one are dressed up like Nazi’s, no joke, bloody Nazi’s again. Oh, and it has dinosaurs in it. The story is about a young woman acting like a man, following orders in the army, like a female dog, end of review.

I’m very disappointed with PROG 1937 of 2000AD, because there’s nothing here for me, at all. It’s all strong independent female dog stuff. I’m not a female Police officer, or a female army officer, and I consider neither of these two types of people to be worthy of my time. I hope that they have lots of fun following orders and acting like men, but I don’t care about them, and I don’t particularly want to read about them either.

2000AD wasted my time, and now it’s just wasted more of my time on a review that will do me no good whatsoever, and will only end up with bad feeling against me, and inevitable accusations of sexism.

I want to be clear. I dislike feminist liberal marxist types. I dislike the neoliberal corporate status quo. I dislike social justice warriors. I dislike fake rebellion. I dislike anti-human, anti-family propaganda that comes from corporate whore mainstream media programming. I want genuine rebellion in my comics. I want comics that recognise truth and attack, attack, attack. They are rare, but these are the times in which we are living, and if nobody else is going to call out the neoliberal consensus of contemporary comics, I’ll do it myself.

PROG 1937 of 2000AD is a whimpering female dog, begging to serve, all rebellion is gone, oh dear, I think it just pi***d itself. Last week I saw some hope in 2000AD, but this week all I see is a cowered dog, beaten into submission by a friendly faced socially conscious, progressive slave master. I usually recommend that you pick up 2000AD, if only for one of the stories, but this week it’s pure junk. Pat Mills is gone. Slaine is taking a break. He’ll return in 2016, but what is left, what is there to enjoy in 2000AD at the moment? Not a lot I’m afraid. It’s going to be a long, hot, summer, and I’m starting to really feel it now.


Rating: 1/10 (Good cover)


Do you feel defeated? Do you feel like there is no hope, that sleep is the only escape from new world order tyranny, but that even sleep aludes you now? Watch this video. Here it is, defeated masculinity, predicted by the Richey Manic era Manic Street Preachers in 1993:

Pathetic, isn't it? Don't give up, don't accept the new world order, fight against it, the fight is not over, it is only just beginning. The masses are asleep, but the masses never change a thing. Don't seek the change, be the change. Be strong, be annoying, be loud, be aggressive, be unpopular, be free. 

Comic book reviews: Justice Inc #6 & Winterworld #7- ‘Policedar’ special

The following two reviews are ‘Policedar’ reviews. That is a term invented by myself, and invented just one minute ago. A ‘Policedar’ review is a review that will expose any subtle Police state message that is hiding within an entertainment (music/television/movie/comic book) text. I don’t hate the Police, but you have to understand the reality that the Police are always the actual, physical, flesh and blood people who enact new world order/globalist policies that enslave us all. The order following boys and girls in uniform create the global Police state, not the be-suited politicians and the shadowy cabals that operate behind the scenes to manipulate society. It’s the Police who actually build the prison, so ‘Policedar’ is the word that I will be using, and yes, it’s a take on the word ‘Gaydar,’ a word very much in the popular vernacular right now. These reviews will briefly discuss the artwork, narrative and other aspects of the text, but their main concerns will be any Police state issues within that text.



Policedar review no 1- Justice Inc #6 (Dynamite Comics)

This book concludes the end of a very confusing run where month by month it was almost impossible to understand what was going on. The script was incredibly convoluted with far too many characters and organisational names and time travel shenanigans going on, and if you read it on a monthly basis without reference to the previous books then you would be hopelessly lost and confused with what was happening. This is annoying, very annoying, and so I’m not going to miss the book. The art was a bit static, and the characters (apart from The Shadow) blended into each other far too much, making it even more confusing.

The villains were the Nazi’s, and the heroes were independent, wealthy men. This ties into the myth that the rich are there to help the poor innocent, helpless civilian-suspects, and that capitalism is your friend, not your enemy, so in that sense it’s an old fashioned, right-leaning book, not one for the Collectivist, Socialist, Marxists who tend to write most of the mainstream comic books these days. One thing to note is that despite it being a time travel book the latest event that it dealt with was one small panel of the exploding towers on 9/11. Nothing post that event in 2001 (that is over thirteen years ago now) was discussed. In that sense it was another book playing it very, very safe and making sure that it didn’t do anything to upset the current corporate/banking/permanent war status quo of the elite’s that control the political system and mainstream media in 2015. I enjoyed the cover-art, and I appreciated that the Shadow was singled out as the most interesting character in the book, but the plot as a whole was far too intricate, it didn’t deal with contemporary concerns, and it left very little impact on me as a whole. Rating: 3/10


Policed review no 2- WinterWorld #7 (IDW Comics)

This book comes from the ‘right-wing’ point of view, as far as socio-political commentary goes, but it focuses on independent ‘normal’ people rather than rich industrialists like Bruce Wayne, Tony Stark or all of the heroes in Justice Inc. The main protagonists don’t rely on the state, and they are not a part of the corporate status quo/control system because in this post-apocalyptic freezing cold world there is no state, and no corporate elite’s to belong to. I classify them as ‘right-wing’ because they are independent people who do not belong, and do not want to join a collectivist/leftist commune of deluded Animal farm hippie types. They are tough, self-sufficient, independent and free, and that is why I like them.

This issue is the end of a run, and the last time we’ll see the amazing artwork of artist Tomas Giorello on the title. The title returns in February and March 2015 with two prequel books that feature the main two protagonist’s early days, before they met, and before Winterworld became what it is today. Hopefully they won’t be as bad as those never to be mentioned Star Wars prequels, because this has been a good book, with strong male and female characters, and no Police state nonsense to spoil it all. This issue featured a fight, a team-up, and the action will continue. It was good, the message of independence and self-sufficiency was just what we need to see more of in comics, and the art, by the wonderfully talented Mr Giorello was fantastic. If I see the name ‘Chuck Dixon’ on a title I’ll buy the book, not because I know that he’ll write fascinating characters and a well crafted, exciting story, but because he doesn’t do the feminist liberal nonsense that has contaminated most of the other comic book writers working in the industry today. Rating: 8/10

Comic review: Conan the Avenger #10- Sit-up, stand-up, don’t be a slave

Writer: Fred Van Lente
Artist: Brian Ching
Publisher: Dark Horse Comics
Released: 28th January 2015


Writer Fred Van Lente gives us some good old fashioned manly action in this month’s Conan the Avenger, and it continues to have everything that you could ask for in a Conan story.

Issue #10 features a pretty girl on the back of Conan’s horse, Conan himself having a far from friendly cuddle with a giant reptile, and a devious wizard doing what devious wizard’s do.

It features superb panel construction from artist Brian Ching, who builds up the narrative tension before giving the reader superb full page panels of artwork when the action or narrative development peaks in terms of excitement/peril for our brave hero.

Two panels stand-out, but I won’t spoil them. Get the book for yourself and I guarantee that you’ll have just as much fun with them as I did.

The book is a lot of fun, but it’s not perfect. It has a weak ending, and some of the dialogue is a bit too cute, a bit too self-aware and a bit too annoying in a way that you’ll find in a lot of mainstream comic books today.

You know how it goes? Everything is a joke, and the exchanges read more like a writer trying to be clever rather than two believable people having a genuine conversation. Some people like that, but it gets on my nerves. Lets get away from Kevin Smith and Quentin Tarrantino and move on to more realistic dialogue. I like realism, not cleverness.

Apart from that point on the ‘too cool for school’ nature of some of the dialogue I have no hesitation in recommending this exciting, well drawn, expertly constructed slice of good old fashioned swords and scorcery, damsel in distress, lizards and wizards action.

Conan the Avenger #10 is an enjoyable book, there’s no Police state worshipping about it, and Conan himself is an archetype, a hero who still resonates strongly today. In these collectivised, authority
worshipping times Conan reminds us that we have to be responsible for ourselves, and if we rely on authority to protect us we’ll end up living in a prison of our own design.

Don’t sit down, don’t watch, and don’t give away your power to those who would control you. If you want something, then do it for yourself. Be like Conan. Sit-up, stand-up, and don’t be a slave.


Rating: 8/10

Comic review: BUMF VOL. 1- Reality bomb

Writer and artist: Joe Sacco
Publisher: Random House
Released: November 2nd 2014


With bags on their heads the compromised servants of the new world order deliberately ignore reality, caring only about their own career opportunities whilst the world around them burns.

Statist mothers betray their pacifist sons. A woman uses paper money to buy milk. She is kidnapped by the state, not because she has done anything wrong, but because the state is worried that she is not posting enough information about herself on facebook and twitter and that her paper money transactions cannot be logged and traced.

A portal is opened to a parallel dimension. A dimension where there is no law, no morality, no repercussions for your actions and where torture is permitted. The milk purchasing woman is tortured until eventually she learns to love her torturer, thanking him for abusing her.

Richard Nixon is reincarnated as Barack Obama. Once again he is President of the US, but in 2014 he is allowed to get away with all of his actions. He spends his time in bed, eating potato chips and piloting a drone where he can kill whomever he wants, whenever he wants. He doesn’t have to justify his actions. He has the time of his life, and can’t quite believe that he’s allowed to get away with it.

Enemies of the state are chopped up and fed to a grateful public. Citizens are referred to as ‘Citizen-Suspects.’ Nixon uses executive orders to justify his absurdity. Lawyers are consulted, then fired if they do not agree with him.

Meanwhile, cartoonist Joe Sacco is invited into the communal mainstream media Jacuzzi. He is lavished with praise, just as long as he wears the same hood as everybody else and reports what he is told to report. Joe is happy to do this. He wears his hood, pick up awards, and write an ostensibly funny, throwaway, silly little comic about naked hood wearing servants of evil, a daft talking chicken character and Richard Nixon.

So, is this comic book any good?

No, it’s a billion times better than ‘good.’

What this comic book does is expose the utter lunacy that we have come to accept as normalcy in the world today.

BUMF VOL. 1 is an absurdist, comedic masterpiece of sociopolitical satire that shoves our faces into our own filth. It accuses us of complicity in everything that is happening in the world TODAY. It accuses us of wilful ignorance, of going along with evil for selfish, careerist reasons.

Writer Joe Sacco accuses himself, and he finds himself as guilty as everybody else.

This book answers the question, ‘Who is responsible?’ The uncomfortable answer being, YOU ARE RESPONSIBLE.

You put up with insanity, so insanity is what you get. You get a world run by Satan, because that is what you deserve to get. You support Satan through your actions, not your words. Your words are meaningless. It’s your actions that count. You are naked. You wear a bag over your head. You chose to wear the bag. It shields you from reality, and you have made a conscious decision to wear that bag. You are responsible. The world is burning because of you. You are to blame. It is your fault.

Rating: 10/10 (must buy book)

Marvel’s Agents of SHIELD S2-E1: Starring Xena Warrior Princess as the Pink Power Ranger

Series Two- Episode One: ‘Shadows’

UK premiere: 24th October 2014 (on Channel 4)


‘The American Government is one of the lesser evils,’ so says one of the special agent/power-rangers near the end of the episode, thus encapsulating the entire problem with the premise of the show. When you choose a lesser evil, what do you get?

You get evil.

Oh, by the way, the power-ranger (I’m just going to call them that now, because that’s what they are) who made that statement about supporting evil was Xena Warrior Princess, or at least the actress who used to play her. No, I’m not making this all up. I don’t drink, and I don’t take drugs either. All of this is very real, and very, very stupid.

Agent Coulson. Still the best thing about the show.

So why did I bother watching it in the first place? Because of the last Captain America movie where SHIELD was shown to be compromised by foreign elements, a group called Hydra, who were a very obvious stand-in for the real world globalists, or new world order group that controls western governments. It was a situation where the world of comics had to recognise real world concerns that have been brought to light in recent years by revelations by actual, flesh and blood real American heroes like Bradley Manning and Edward Snowden.

Marvel comic books usually ignore the world around them. It’s difficult for them, because they need simple heroes and simple villains. For over a decade now America has been waging war around the globe for corporate profit, based on obvious deceptions and with Orwellian level propaganda being pumped out by the corporate media to justify these crimes against humanity. I assume that Marvel comic book writers are not stupid people. They must realise what is going on, but rather than deal with the contradictions and controversies of our times, they prefer to ignore them, and instead pick up a pay cheque.

The last Captain America movie was such a success because it dealt with the issues that Marvel comic books have been ignoring, and it was bloody entertaining as well. So this new series of MAOS was interesting to me, as it had the opportunity to take the ball from an excellent movie, and run with it.

What it actually did is devolve everything back to simplistic heroes and villains, with a group of childish Power Rangers running around saving poor helpless Americans from the evil bad guys who hate their freedoms. It was the same statist loving propaganda that is being pushed by the comics. Trust the uniforms, trust the politicians, be a helpless victim, do what you are told, all questioning is bad, business as usual.

Twenty minutes in I was finding it all very difficult to watch. There is enjoyment to be had in some of the character interactions, and as a cartoon about villains with cool super-powers, but when you strip it down as an ideological construct it’s as ignorantly chilling as a fly-over before a football match. Support the troops, support perpetual war, trust authority, go back to sleep.

Rating: 2/10

Green Lantern Corps #35- Godhead Act 1, Part 3: No blame, no shame

Writer: Van Jensen
Artist: Bernard Chang
Publisher: DC Comics
Released: 8th October 2014

I’m thoroughly enjoying this Green Lantern ‘Godhead’ crossover arc, and Part 3 of the story does not disappoint. I’ve read and reviewed a couple of truly depressing books this week, so I was in dire need of something to cheer me up. Green Lantern Corps #35 is an organic, vegan feast in comparison to what can only be described as Punks #1 and Wytches #1 genetically modified McCrap sandwich.

What I’m looking for in my comic books is a strong sense of personal/moral responsibility that is tied in with the no-harm principle and narratives that resonate with the real world of 2014. Green Lantern Corps #35 was a winner in my eyes because it explores what happens when people in positions of power think that they can operate with no regards to the universal principles of moral/natural law. This book demonstrates how real-life villains are the individuals who do terrible things, but take zero responsibility for the consequences of their actions.

Does this sound familiar to you?

John Stewart (of the Green Lantern Corps)- “You willingly destroyed a civilisation! You're murderers....butchers."

Uggha (of The New Gods)- “Watch what you say about the Gods, mortal. It did not work as planned. The flaw lies in your rings, not in us. For we’re Gods”

Iraq, Afghanistan, Libya, Syria.

George Bush, Tony Blair, Condoleeza Rice, Colin Powell, Hillary Clinton, Barack Obama, David Cameron.

Edward Snowden, Julian Assange, Bradley Manning.

Do you get my point? The ‘New Gods’ of our age are the political elite’s who order the slaughter of millions of innocent people, yet never take responsibility, and never pay any consequences for what they have done. Instead, they are handsomely rewarded for their butchery. That is the world that we live in. That is the world that we have created for ourselves.

But why do these monsters get away with what we all know they have done?

Because they are Gods, and we mortals must never question the wisdom of the Gods. Expose their crimes and you better pack your suitcase to Russia or to the Ecuadorian embassy, because the Gods will not tolerate mere mortals exposing their crimes to the sleeping, statist God worshipping masses.

That is the truth, like it or not. If you don’t like it, then do something about it. And remember. You cannot break down a wall by joining it.

Green Lanterns Corps #31 has the narrative to back-up its strong moral centre. Things are explained, the story is advanced, a mysterious lady makes an appearance and the elusive White Lantern is built up, and made to look like a huge, exciting deal. This is really good stuff. The villains have been fleshed out, the story has been explained in satisfactory detail and there’s plenty of action for those who just enjoy the fisticuffs.

Act 1, Part 3 of the arc finishes it’s lap with an impressive sprint, baton in hand, ready to hand it over to the next runner.

Green Lantern- New Guardians #35 is out next Wednesday 15th October 2014.

Get it.

If it’s anywhere near as enjoyable as Green Lantern Corps #35 it’s going to be a pretty bloody good book.


Rating: 8.5/10


What is the ‘No harm principle?’ Start here:
https://www.youtube.com/watch?v=hRgoE5G_OJM