Showing posts with label dictators. Show all posts
Showing posts with label dictators. Show all posts

Wednesday, 23 September 2015

2000AD-PROG 1949- The comic book fear of anarchy




Artists and writers: Various
Publisher: Rebellion
Released: 23rd September 2015


Judge Death and Judge Dredd work together like liberals and conservatives, creation the illusion that you have freedom of choice, just as long as your choice is an acceptance of authority, and a lack of personal freedom and liberty. You can choose a controller, and that means that you are free. Both Death and Dredd are symbols of control, they block alternatives to mainstream status quo thinking, and channel you into a slaughterhouse of collectivised, state control.

Was it always so? Probably, but it’s really noticeable now. Dredd murders to uphold the law, and Death does exactly the same. Check out the following quotation:

‘I will teach them the virtues of order and discipline. The rule of law.’

That quote comes from Judge Death, but it could just have easily come from Dredd. In ‘Ghost Town- Part Two’ Dredd massacres dissenters to the rule of law with no feeling other than his need to maintain control over the population. He doesn’t mind killing people, its just part of the job.

In ‘Dreams of Deadworld-Death’ Judge Death shows his lieutenants who is boss, killing one before carrying out a massacre of his order following minions. This is the kind of thing that always happens when a dictator purges his own party of troublesome thugs that he no longer needs. The most famous recent example being Hitler’s purge of his own brown-shirt thugs (the 'Night of the long knives') shortly after he gained the footing his needed to control the population of Germany.

Judge Death murders so he can sit on a throne (as is shown on the excellent front cover of this comic book) whilst Dredd murders in order to serve and maintain the centralised state collective.

Looking at the differences between the two Judges is hugely illuminating, as it shines a spotlight on an assumption that is central to the ideology contained within western comic books. That assumption (an idea pushed to the idea of a cliché, but an idea that is constantly reinforced as truth through repetition) is that freedom in the west means not having a dictator.

We don’t have a dictator, so that must mean that we are free, right?

What is being pushed here is the idea that the collective tyranny of democracy (the rule of the majority, or two wolves and a sheep deciding what’s for dinner) is the best that humanity can hope for. It’s the idea that individuality must be consumed by the collective, that the collective is held together by law, and that it’s up to uniformed order followers to enforce that law, at the point of a gun.

This is the legitimisation of collectivisation, of centrally controlled tyranny, of a small group of people who know better than you, and so will tell you what to do, for your own good, of course, and if you don’t obey them, then it’s death or jail for you.

Oh, and by the way, don’t forget that you are free.

Judge Death then is a perfect villain as he reinforces the idea that the only thing that we need to fear is the dictator, and that the collectivised tyranny of Judge Dredd is how things should be, because after all, we don’t want to fall into chaos or ANARCHY, do we?

‘Only the zero-tolerance Judges- empowered to dispense instant justice- can stop total ANARCHY.’

That line always appears in the ‘In This Prog’ section of 2000AD, and it’s very telling, giving the reader a social assumption, an agreed upon lie, in order to frame what happens within the narrative of the Judge Dredd strip. The lie is that anarchy equates to chaos and murder, and that without order following murderers in uniform then it will be a big free for all with babies being murdered in the streets.

That is the assumption, and it’s an assumption that comes from the mindset of an indoctrinated, fearful slave to the state. It’s an assumption that hates humanity, and assumes the very worse of people. It is an assumption that is reinforced, without evidence, that the only way to stop us murdering each other in the streets is for us to all live in a giant prison state, for our own good, of course.

Fear of anarchy, and a willingness to accept the collectivised tyranny of the state is an ideology that runs like a stick of rock through 95% of western comic books. It is an ideology that assures the slave to the state that the system s/he has been born into is legitimate. It backs up a machine of violent coercion a machine that has made the world the boiling Hellhole that it is today.

The idea that the only thing to fear is a crazy dictator, is a straw-man argument. It’s a socially programmed assumption that works because comic book writers push it without even realising what they are pushing. They know somewhere deep within their souls that a centralised, collectivised system of violent coercion is morally wrong, but they justify it by looking at the alternatives. A lack of courage, and imagination gives them only two: 1- A villainous dictator. 2- People being murdered in the streets. That’s Judge Death, and that’s Judge Dredd. Both follow the law, both wear uniforms, both exist to control you. One of them is a cartoon villain, and the other is an agent of the collectivised state.

Judge Death makes you fear dictatorships, and Judge Dredd makes you fear anarchy, or the lack of a centralised control system. The two fictional characters represent false real-world choices, like the red and blue parties, keeping you fearful, dependant, and safely imprisoned within the collectivised neo-liberal corporate/state reservation.

I’ve already written enough this week, so I’ll leave it there, and no, this is not a typical comic book review, and it isn’t supposed to be. I’m not being paid to knock out a boring review, so I’ll talk about what I want to talk about. This week I wanted to talk about the similarities between Death and Dredd, and how they are used to reinforce the current system of collectivised state tyranny in which we all live under in the west. I think that I managed to say something worthwhile. I think that what I said was more interesting than a review about panels, colouring and personalities. Thanks for reading it, be nice to each other, and have a great comic book reading week.



Rating: 8/10 (Judge Death and Judge Dredd, a one-two punch to the face of humanity)




Thursday, 13 August 2015

Comic review: Secret Wars #5- Atheism, propaganda, dictatorship, democracy, truth and lies



Writer: Jonathan Hickman
Artist: Esad Ribic
Publisher: Disney/Marvel
Released: 12th August 2015



In my previous review (18 Days #2) I bemoaned the fact that contemporary neo-liberal corporate hegemony supporting comic books are pretty much all the same.

I moaned and complained that their narratives feature crazy dictators as the villains, and order following agents of democracy as the heroes. These ‘heroic’ agents of the state just want to bring ‘freedom’ and ‘democracy’ to the world and to stop evil dictators from killing their own people, or something.

‘War is peace. Freedom is slavery. Ignorance is strength.’ (George Orwell)

The lie that democracy means freedom is the lie that allows western governments to propagandise their own populations and to enslave them to a centralised control system.

Through the repeated telling of this lie the numerous wars that have become ever more apparent since 2001 can be sold as wars for peace, and not the wars for resources, profit and control that they actually are.

The wars are now sold as protecting people (by bombing them) and bringing democracy, which of course equates to freedom, seeing as we are all so free in the west, cough Edward Snowden.

“Make the lie big, make it simple, keep saying it, and eventually they will believe it” (Adolf Hitler)

“All art is propaganda. It is universally and inescapably propaganda; sometimes unconsciously, but often deliberately, propaganda.” (Upton Sinclair)

The first thing that we need to recognise is that we are living in a lie. Your life is a lie, and so is mine. The west is a lie, a lie that we drink, eat, and bathe in, daily. It washes over us, flowing from everything and everywhere, yet the lie is so big, and so relentlessly repeated that we come to think of the lie as truth itself. We work for the lie, we feed the lie, we caress the lie, we nurture the lie, we treasure the lie, we love the lie, and we get careers as writers, and repeat the lie until the day that we die.

Do I think that comic book writers working for Marvel, DC, Darkhorse or any of the other US comic book corporations care much about truth and lies? Perhaps in their personal lives, but I know one thing for sure, I know that it’s not coming out in their comic book career lives.

I read a lot of contemporary US comic books and it’s become very apparent to me that the writers don’t want to go anywhere near truth. They want to tell exciting stories, they want to please liberal, progressive minded readers and they want to keep reality, truth and the real world a million miles away from what they are doing in their comic books.

It’s a choice. They choose the easy life and they echo chamber the thoughts and beliefs of their left leaning audience back to them whilst dreaming of the big television or movie deal. I wish them the best of luck with that and hope that they make lots of money and win award after award after award. It’s meaningless, but as most of them are atheist, solipsist, Darwinian types, that isn’t really an insult to them, it’s just stating a fact about their collective mindsets. Rats in a cage, and they are happy to be so.

Secret Wars #5 is a mainstream American comic book written by Jonathan Hickman. The story is about an evil dictator, and there’s a bit of tame religion bashing going on as well, which is par for the course in contemporary comic books.

The book is beautifully illustrated by Esad Ribic, and doesn’t touch on any real world concerns of 2015. It is an uncontroversial book. It does what all of the other books do, but there’s a lack of jokes, puns and quips in it, meaning (I suppose) that it’s a ‘serious’ comic book.

The ideology that runs through the book compares God to a deceitful, murderous, petty, insecure dictator. It’s an ideology that atheistic neo-liberal types will agree with, and thus is just another continuance of the mainstream echo chamber that stifles all debate and doesn’t address the predominant lie of our times.

I didn’t hate the book. It’s just another lefty comic book. It looks nice, it toes the line, and it does what it is supposed to do. It keeps the neoliberal democratic lie intact, our heads submerged within the corporate matrix, and successfully farts out another unit for the Princess programming, unreality pushing, crazy as a Rihanna video, bathed in children’s blood Disney Corporation.


Rating: 6/10 (It’s all about Doom, how he’s not God, how he created the world and how he’s a big old mean dictator that needs to be taken down by the atheistic democracy squad)



Check out Rihanna's charming new pop video below. Yep, the mainstream sure is a crazy place these days.







Thursday, 2 July 2015

Secret Wars #4- What is a superhero?



Writer: Jonathan Hickman
Artist: Esad Ribic
Publisher: Marvel (Disney)
Released: 1st July 2015



Go to a comic book shop, pick up a new superhero comic book, read it, and ask yourself the following question:

What is a contemporary mainstream comic book superhero?

Grant Morrison thinks that they are stand-ins for soldiers.

I agree.

They are soldiers, and what do soldiers do?

They follow orders.

Who TODAY is in charge, and who is giving the orders?

According to the mainstream media it’s the Clintons, Blairs, Obamas, Camerons and all of the other blue and red puppets.

Puppets?

Yes, puppets.

But if they are puppets, who is controlling their strings?

The neoliberal corporate/banking elites.

Who are they?

They are the people who run the privately owned banks and corporations that fund governments. They are the globalists, the western elites, the new world order.

Back to comics, back to superheroes.

A superhero is a soldier, soldiers take orders from political puppets, the new world order is a corporate entity, and mainstream comic books are a part of that corporate entity. Therefore, a superhero appearing in a mainstream comic book is a soldier working for the new world order.

Did that truth taste bad? I hope so, because truth is a bitter pill to swallow, and that is why people don’t like it, and get upset when you try to force it down their throats. I understand, but I want to talk about more than the art and panel designs in comic books. I want to talk about the world, and comic books are the platform that I use to do that.

So what does the new world order want?

They want one world government, and total control of the entire planet.

What is the role of a soldier/superhero in the new world order?

Their role is to eliminate all opposition to the new world order.

Therefore, all ‘villains’ in contemporary comic books have to represent a threat to the new world order.

The villain in Secret Wars #4 is Doctor Doom, a crazed dictator type.

It’s always a crazed dictator type, in comic books, and in the real world.

The crazed dictator will sit on a throne, scare people, act like a villain, and cause problems until he is finally defeated by the soldiers/superheroes.

In Secret Wars #4 that process is progressing towards its inevitable conclusion. Doom fights the soldiers, and he acts like a power-crazed delusional madman. He wins a battle, but in the long run he will lose the war.

That’s how contemporary corporate entity comic books work. A dictator threatens the status quo, soldiers/superheroes are sent in, cue battles and some character stuff, the dictator is defeated, and it’s back to the beginning again.

In comic books it’s The Joker, Doctor Doom, Magneto, The Red Skull and Lex Luthor.

In the real world it’s Hussein, Bin Laden, Gaddafi, Assad and Putin.

Comic books villains exist to serve the narrative, to sell comic books.

Real world villains exist to serve the narrative, to sell the new world order.

Secret Wars #4 is a comic book about superheroes/soldiers fighting against the latest dictator, the latest threat to the new world order.

It’s a comic book that people will read and enjoy. They will discuss the art, the characters, the fights and the plot. Deeper issues and socio-political assumptions that are made within the text will not be discussed.

I will be ignored, or criticised, more of the former, a little of the later, if I’m lucky. That’s okay. The new world order relies on the consent of the governed. If the people want it, then they’ll get it. That’s the world that we live in, that’s the world that we want, that’s the world that we deserve.


Rating: 7/10 (Starts better than it ends, and it’s all about the characters now)