“Never, ever underestimate the degree to which people will scatter themselves into a deep fog in order to avoid seeing the basic realities of their own cages. The strongest lock on the prison is always avoidance, not force.” (Stefan Molyneux)
Thursday 2 July 2015
Secret Wars #4- What is a superhero?
Writer: Jonathan Hickman
Artist: Esad Ribic
Publisher: Marvel (Disney)
Released: 1st July 2015
Go to a comic book shop, pick up a new superhero comic book, read it, and ask yourself the following question:
What is a contemporary mainstream comic book superhero?
Grant Morrison thinks that they are stand-ins for soldiers.
I agree.
They are soldiers, and what do soldiers do?
They follow orders.
Who TODAY is in charge, and who is giving the orders?
According to the mainstream media it’s the Clintons, Blairs, Obamas, Camerons and all of the other blue and red puppets.
Puppets?
Yes, puppets.
But if they are puppets, who is controlling their strings?
The neoliberal corporate/banking elites.
Who are they?
They are the people who run the privately owned banks and corporations that fund governments. They are the globalists, the western elites, the new world order.
Back to comics, back to superheroes.
A superhero is a soldier, soldiers take orders from political puppets, the new world order is a corporate entity, and mainstream comic books are a part of that corporate entity. Therefore, a superhero appearing in a mainstream comic book is a soldier working for the new world order.
Did that truth taste bad? I hope so, because truth is a bitter pill to swallow, and that is why people don’t like it, and get upset when you try to force it down their throats. I understand, but I want to talk about more than the art and panel designs in comic books. I want to talk about the world, and comic books are the platform that I use to do that.
So what does the new world order want?
They want one world government, and total control of the entire planet.
What is the role of a soldier/superhero in the new world order?
Their role is to eliminate all opposition to the new world order.
Therefore, all ‘villains’ in contemporary comic books have to represent a threat to the new world order.
The villain in Secret Wars #4 is Doctor Doom, a crazed dictator type.
It’s always a crazed dictator type, in comic books, and in the real world.
The crazed dictator will sit on a throne, scare people, act like a villain, and cause problems until he is finally defeated by the soldiers/superheroes.
In Secret Wars #4 that process is progressing towards its inevitable conclusion. Doom fights the soldiers, and he acts like a power-crazed delusional madman. He wins a battle, but in the long run he will lose the war.
That’s how contemporary corporate entity comic books work. A dictator threatens the status quo, soldiers/superheroes are sent in, cue battles and some character stuff, the dictator is defeated, and it’s back to the beginning again.
In comic books it’s The Joker, Doctor Doom, Magneto, The Red Skull and Lex Luthor.
In the real world it’s Hussein, Bin Laden, Gaddafi, Assad and Putin.
Comic books villains exist to serve the narrative, to sell comic books.
Real world villains exist to serve the narrative, to sell the new world order.
Secret Wars #4 is a comic book about superheroes/soldiers fighting against the latest dictator, the latest threat to the new world order.
It’s a comic book that people will read and enjoy. They will discuss the art, the characters, the fights and the plot. Deeper issues and socio-political assumptions that are made within the text will not be discussed.
I will be ignored, or criticised, more of the former, a little of the later, if I’m lucky. That’s okay. The new world order relies on the consent of the governed. If the people want it, then they’ll get it. That’s the world that we live in, that’s the world that we want, that’s the world that we deserve.
Rating: 7/10 (Starts better than it ends, and it’s all about the characters now)
Labels:
comics,
corporatism,
dictators,
Grant Morrison,
Marvel comics,
neoliberalism,
new world order,
Secret Wars #4,
social commentary,
Soldiers,
superheroes
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