50-Word (Comic) Review- 2000AD- PROG 1958: You always mistook fists, for flowers

Writers and artists: Various
Publisher: Rebellion
Released: 25th November 2015


The overarching theme is of resistance to unaccountable, authoritarianism control systems, fighting against enforcers. The best story though is ‘The Crow Gifts.’ It encapsulates the ‘progressive’ desire for martyrdom, for pointless death to further their cause of suicidal, masochistic, nihilistic emptiness. This is how the left feeds it’s own executioners.

Rating: 9/10



What am I on about here? Two things: First off, most of the stories in 2000AD feature little people against the power of the state. Judge Dredd acts like a US Policeman in one of those videos that keeps getting released online (#JudgeDreddMatters), and the other narratives feature resistance fighters (as the heroes) against top down control systems and state agents. That says a lot to me, it says that there’s a growing sense of anxiety in the western world today and there’s a growing understand that our supposed leaders are not quite as benevolent as they make out on our tell-lie-visions. That’s good. It’s a start at least, and it shows that the writers in 2000AD are not being bogged down with 1990’s nostalgia or cultural Marxist identity politics, as is happening in the US comic book industry right now. The best thing about PROG 1959 of 2000AD though is ‘The Crow Gifts’ by David Baillie. The story is about a young girl. She lives with her Grandfather, feels trapped, and rebels against his pragmatic advice about safeguarding her own future. Rather than do as he advises (living a life as a wife and mother with a prosperous husband) she chooses to embrace her own destruction, feeding birds that will eventually peck her to death. You could over analyse this story, and talk about multiculturalism, feminism, liberalism and immigration, but I’ll keep my analysis simple. To me, the story is the perfect synthesis of the suicidal progressive movement, a death cult political ideology that always embraces fists, for flowers (see song at end of review). I read ‘The Crow Gifts’ and see the progressive left, independent, feminine, nurturing, loving, and walking straight off of a cliff. 2000AD is pretty good this week, but Crow Tales by David Baillie is a lot better than pretty good. It’s easy to rail against an authoritarian control system as you can see the tyranny right in front of your face. But to recognise the weakness that comes from within, that’s the key to fighting back and reclaiming humanity from all that has been lost, not just by force, but by indoctrination into progressive politics and an ideology of martyrdom and self-destructive, masochistic nihilism. 

What happens if the progressives win? - A rant about multiculturalism, progressivism, Islam and the west.

Article by: Rorshach1004
Date: 27th November 2015



The weakness at the heart of European neoliberal, progressive, multicultural, political ideology is a suicidal self-hatred that rots from within.

There is no strength, no resistance, no energy, no passion, no life and no future in the movement. It is a collectivist system of weak, pathetic, grovelling cowards and masochistic martyrs who are just begging for a cross and somebody to nail them up on it. You become a ‘Progressive’ if you want to suffer, or if you want to die.

All that subscribe to the toxic, self-defeating ideology of progressivism will be used, abused, and killed when no longer needed. Sadly enough, executioners will not be necessary, as the progressives will happily, joyfully, kill themselves first, just to stop any bother and unnecessarily hold-ups in their dream future of a multicultural BBC paradise. That future does not include them, or their children, but they are perfectly okay with that.

If the west has to die, then that’s okay. We the white people, we the west, are all evil racist bigots anyway, right? Remember the Holocaust? Remember slavery? Remember the crusades? Remember the Inquisition? Are you white? If so, all of the historical crimes ever committed by white people in the past are your fault, and you deserve to suffer for it.

If the progressives win, Islam dominates. If the progressives win, western civilisation dies. It is 2015, almost 2016, and Europe is under attack. The attack comes from the progressive movement on the inside, and the Islamic movement on the outside. This unholy alliance of progressivism and Islam, if successful, will kill off western civilisation, and when Islam reaches a certain point, the progressives will be killed off as well, but don’t feel sorry for them. They love it, they really do.

Islam will do what it always does. It will moderate it’s demands, bide it’s time, and breed itself into dominance. When it’s numbers reach 8-10% of the population, it will push for Sharia law and demand that western civilisation becomes an Islamic civilisation, a civilisation where (amongst numerous other terrible examples) the ‘crimes’ of homosexuality and adultery will be punishable by death.

That is the threat that hangs over Europe right now. It is a threat that is being advanced by the progressive movement with their calls for diversity and multiculturalism and the fact that the native white (and other, non-Islamic) population’s birth rates are dramatically lower than the birth rates of the Islamic migrants.

Western countries, by admitting large numbers of Islamic migrants, are preparing a future for themselves where their newly Islamic population will (democratically) call for Islamic law to be the highest law of the land. This will put an end to all of the human rights that western civilisation has gained through hundreds of painful, brutal years of individual rebellion against centralised, dictatorial, ideological, religious authority. A new dark age of top down state repression will begin all over again, and if you want to look at a good example of that right now, look at Saudi Arabia.

Unless the west starts to reject the self defeating, suicidal tenets of multiculturalism, tolerance, diversity, and all of the other PC crap that has come from the progressive movement then perhaps the Islamists are right? Perhaps they will really just breed us off of the face of the earth? Perhaps the west really is a decadent, dying culture on its last legs, and just waiting to be put out of its misery?

Here’s the hard truth. If we don’t start doing something about it, if we don’t start defending ourselves not just from Islam, but the suicidal cult of progressivism, then perhaps we really do deserve to be wiped out?

If you are not prepared to defend yourself then, sooner or later, you will be attacked, you will be badly hurt, and you will die. That is what is happening to the west right now.

The west is under attack, and we are not even defending ourselves. I’m not the kind of guy that takes kindly to being punched in the face. I read comic books, but I’m not a suicidal/progressive liberal drip.

I’m not ashamed. I’m not scared, and I’m not going to put up with the progressive destruction of the west. The fight is on. I’m not going to shut up and let everything that was built by far better people than myself collapse all around me. I’m not going to go along to get along, that’s not my style.

Hey progressives. Kill yourselves by all means, but you are not going to take me down with you. The ideological war is on. Progressivism is a suicidal death cult, and it’s time that we called it out for what it actually is. We need to talk about it, how it is enabling the growth of fundamentalist Islam, expose it, and get rid of it for good. Here’s to a healthy future away from progressivism, Islam and all of the other stupid collectivist ideologies that man invents to enslave other men. Take care, enjoy the weekend, and speak truth whenever you can, even if it does make you the least popular person in the room. Sod it. Speak truth. What else are you here for?

'Obey' (A webcomic about the reality threatening cult of collectivism)

Under the collectivist model, truth and morality is defined by the consensus of the group, therefore objective (outside of the group) truth and morality do not exist. The individual that argues for moral truth is wrong, not because of the strengths (or weaknesses) of his argument, he is wrong because he is not part of the group, and therefore, does not exist. If you want to know more about collectivism, please watch this excellent video....

50-Word (Comic) Review: Dark Knight III- The Master Race- Book One: The New Batman book by Frank Miller- Don’t worry, it’s bloody awesome

Writer: Frank Miller & Brian Azzarello
Art: Andy Kubert & Klaus Janson
Publisher: DC Comics
Released: 25th November 2015


Female protagonists dominate the comic book industry. How to make them resonate? Portray dead masculinity in decaying west. Cops prey on citizens. Vigilantes are villains, not heroes. The enemy of western governments is not ISIS. The enemy is masculine individualism, and those that refuse to be collectivised. Frank gets it.



Rating: 10/10

A short review for a fantastic comic book. There will be no spoilers here. Read the book for yourself. I loved it.

Government Girl vs. The Truther (A webcomic about the deliberate suppression of truth)

Abyssal - The Cornucopian: The Awakened Force of the Sacred Masculine

Play track, and read.......

Do you hear that quiet discontented, maladjusted male voice stirring? At first in chaos, disorganised, so many nails, standing up, isolated, separated, disorganised, inefficient in solitude, then finally, together, rising above the parapet, in rage, unafraid any longer to sleep amongst the feminised, sedated hordes. We rumble our discontent, individualistically, believing our cry will never be heard, we cry anyway, a defiant roar of anger, a no, a refusal to join, to accept the collectivisation of acquiescence, until finally, a damn bursts, our individual voices merge as one, and a crescendo of violent rhythm crashes, like a wave against the anaesthetic hordes. The elite’s cry out in horror, it wasn’t supposed to be like this, the sheeple were to sleepwalk into tyranny, but no, the enemy, humanity, with the sacred masculine leading the charge, has risen, as one, as a NO, a defiant fist into the face of globalisation, of neoliberalism, of multiculturalism of cultural Marxism. The wall of tell lie vision iphone helplessness collapses under a tide of righteous male anger, a refusal to lie down and accept their plans for Armageddon, their dreams of chaos before their new world tyranny, the days before the end. Awakened in violent fury, the weakness of collectivised power collapses overnight against the barrage of western masculine holocaust aggression. The battle is short, and the dark suit wearing demons are banished to the pit where they belong. Man acts. God is the judge. A world reclaimed, the wall of obliterating masculine anger subsides, and calm returns, there will be no more sleeping, we wait in guard, tyranny will be kept in check, the sacred masculine watchmen of western civilisation sleep no more. We wait, in preparation, for tyranny to stir again. A single velvet glove, with iron fist, a smile for all, but warning to those that would collectivise the future. Humanity settles, the world prospers under free association, the non-aggression principal and golden rule being the moral law of the land. No more coercion, no more statism, no more uniforms, and no more leaders. The imperfect ape-like being, blessed with the divine gift of God consciousness, finally achieves its brave new world. It’s not the one the globalists had been ‘banking’ upon.




This piece was inspired by 'The Cornocopian' by Abyssal.

'The Cornocopian' is from the 10/10 album Antikatastaseis, by Abyssal, released on June 23rd 2015. BUY IT.

Abyssal bandcamp page: https://abyssal-home.bandcamp.com/

50-Word (Comic) Review: 2000AD-PROG 1957- Bad Company is pretty ace, mate

Writers & Artists: Various
Publisher: Rebellion
Released: 18th November 2015



Bad Company/First Casualties is everything that a 2000AD story should be in 2015. Retro, yet relevant, ridiculous, yet intelligent and with the irreverent tone of a 1980’s anarchist student comic book, but updated for our newly dumbed down, metrosexual, genderless, anaesthetised by political correctness, tuned in, but turned off igeneration.


Rating: 7/10

My review is a bit late this week, so sorry about that, I was a bit preoccupied with writing my webcomic about Hitler and his dog (available on this blog, if you want a look/laugh). PROG 1957 has a front cover that looks like a rushed pencil sketch, a Judge Dredd story that takes the p*** out of runners (nothing wrong with that, as I am one myself and we deserve a bit of mockery), a Defoe story that (sadly) is starting to get a bit ill-disciplined and wobbly, a daft horror story with a joke ending, a funnier than usual episode of Brass Sun, and a flippin awesome closing story in Bad Company//First Casualties. BC has a great little joke about Angela Merkel, the German globalist who is killing off Germany at the moment with her obsequious obedience to multi-cultural political correctness, and it’s that little joke that really puts it over the top into the category of ‘excellent.’ That’s what 2000AD should be doing in 2015, mocking the little twerps who are screwing up the world for all of us, but hiding the goodies like Easter eggs within a meadow of ridiculousness. You can get away with a lot when you are being silly. Anyway, let’s finish this ‘review’ before PROG 1957 is released tomorrow. Bad Company is the star, and it continues to be ace, mate. Get 2000AD for that story alone. Does anybody say ‘ace’ anymore? Probably not, let’s bring it back, shall we? Out with the new, and in with the old. Let’s get old again. Old was good, it’s the new that is screwing things up at the moment.

The Return of Hitler (A Webcomic about the potential re-emergence of the right in Germany 2015)

The Comic Book Industry 2015: Decadence, nostalgia, identity politics and western decline

Do you remember that scene in ‘Interview with the Vampire’ where the vampire Armand (Antonio Banderas) begs Louis (Brad Pitt) to take him away from the boring vampires that are driving him insane with their inability to connect to the world around them?

That feeling of being stuck within a group that is unwilling, or unable to reflect/connect with the reality around them is pretty much how I feel about 99% of the comic books that I read today.

I read two last night. The Hangman #1 (Dark Circle Comics) is about a gangster, and a ghost vigilante. It’s cliché, uninteresting, perfunctory, going through the motions, reflecting nothing, saying nothing, and not even trying to. Plus, it’s half a comic, so you are not even getting good value for money.

The second comic book was Batman Europa #1 (DC). Just think of all of the things that are going on in Europe right now, all of the issues with immigration, terrorism, austerity and mass unemployment. Is any of this reflected in Batman Europa #1? No, it’s not. The book is set in ‘Berlin’ but the references are cold-war era, and read like the writer has done a quick five-minute search on Wikipedia. Batman is fighting Joker. He has infected him with a virus. The Joker has it as well. They have to work together to find a cure. What has this got to do with anything that is happening in Europe in 2015?

The Hangman #1 and Batman Europa #1 have ‘cool’ front covers, and decent artwork, but that’s all they have to offer. They are all surface, no meaning, and in that sense they are the perfect embodiment of the comic book industry as it is today.

Who wants to read a bunch of left-wing college Marxism, nostalgia and cold-war references that are woefully out of touch with the neo-liberal western world as it is today? Not me, that’s for sure. I don’t want identity politics. I don’t want nostalgia, and I don’t want to die from ennui like the Armand character in Interview with the Vampire.

I know that a lot of comic book fans are happy with the status quo of the comic book industry, but I need more, and that is why I am starting to write my own narratives.

If comic book writers are unwilling or unable to connect with the world as it is today, then I’ll do it for myself. I have to. I have a lot to say. I want to create, to express myself, and to talk about how the west is crumbling into nostalgic decay through the deliberate avoidance of reality.

Batman Europa #1 and Hangman #1 are not bad comic books. They are not interesting enough to be bad. They are average, and that’s all they are trying to be.

Give me bad over average any day of the week. At least bad conjures up some kind of emotion. Average just leaves me feeling empty, like Armand. Nothing bad was happening to him, he was just very, very bored. That movie was released in 1994, but in many ways the character of Armand reflects the state not just of the comic book industry, but of western culture as it is today.

Here’s a reality check. Collectively speaking, our culture is in decline. We are now vulnerable to attack from rival cultures (Islam) but the weakness comes from within.

The baby-boomer generation of the 1960’s has left a generation of soft, insecure people that are unwilling, or unable to defend themselves from attack, and rather than defend what has been built before, they are actively working (whether consciously or not) to destroy it from within. That’s the hard truth, and you are not going to see it being reflected in contemporary comic books due to politically correct ‘diversity’ training that comes from the ‘progressive’ Marxists in state funded university systems.

Why are western elites, working within governments institutions, funding their own decline? That’s a complicated issue, but in short, it’s to bring about their New World Order. Order out of chaos, they will destroy the old to bring about the new.

To fix a problem, the first thing that you need to do is to identify that there is a problem in the first place. I have identified it, and I plan to do something about it. I will write my own narratives, my own stories, and my own comic books. I will write them again and again and again until I get very good at it. I’m not going to wait around for somebody else to do it, because it’s very clear to me now that that’s not going to happen.

Can you write a culture out of decline? Probably not, but you can at least document it as it happens, and so that is what I will do.

A Strange Incident at Lydiard Park (A webcomic about Swindon Town's mysterious crytid)