Comic review: The October Faction #4- Goodbye pretty comic

Writer: Steve Niles
Artist: Damien Worm
Publisher: IDW
Released: 21st January 2015


I don’t want to further my reputation as the grumpy old man of comic book reviewers and needlessly slag this comic book off, because that’s no fun, and it’s kind of cheap of me as well.

Let’s face it. It’s easy to go on the Internet and call something terrible, say you hated it, and string together some pretty sentences to describe how awful it is. But what kind of individual would want to spend their days reading awful comic books and then destroying them on the Internet? I know it might appear that I do that all of the time on my blog, so I think it’s time for me to rein myself in.

From this day forward I will not waste my time deconstructing silly, throwaway, light-hearted, escapist comic books. I need to acknowledge that they are not for me, put them aside, stop buying them, and move on to something else.

If I come across a comic book that is hiding it’s insidious anti-human, global Police state message under cover of playfulness and silliness then I will point it out. But if a book has no agenda other than to entertain and avoid real-world issues then I’m not going to waste anybodies time by going on a massive 2000 word rant about it.

The October Faction #4 is one of those books that appears to be purposefully ignoring the real world. I understand that is what some (a lot?) of comic book readers want, but that’s not why I am reading them. The book offers a daft plot and some cuddly characters that you shouldn’t be taking too seriously, and it’s a jumping off point for me.

For anybody interested in the plot, it’s silly, and throwaway, and it has that post-modern, knowing, too cool for school thing going on with the dialogue. Characters are linguistically clever, but no wisdom is being imparted. Death is portrayed as a bit of a joke, foreshadowing that death in this comic isn’t really death, and so the last page reveal comes as no surprise. It’s just something that of course happened, because none of this is serious, and you are a bit daft if you are taking any of it seriously.

‘Have fun with the book dammit.’ That’s what writer Steve Niles will be shouting, if he reads this review. ‘Don’t take it so damn seriously mate’ (that’s something else that I’m sure he’d say).

But for me, as the reality junkie, anti collectivism, anti globalisation Internet tough guy twit that I am, I have to bow out now. I’m a bit disappointed, as it means that I’ll be missing out on the awesome artwork of Damien Worm, but the narrative progression, themes and characters being offered up by writer Steve Niles offer very little to me personally. I can’t get much out of it, and so I’m not going to try to find something that is not there.

That doesn’t mean that I hated the book, because I didn’t. There’s nothing here that greatly offends me, but there’s nothing that illuminates contemporary real-world issues either, and as it’s not exactly a memorable book that leaves me begging for more on a strictly narrative level either, why would I continue to read it?

If you like Tim Burton/Goth kind of stuff then give it a go. You might enjoy it, the art is beautiful, but for me, it’s become a bit blah now. I’ve read four issues, and even though I still admire the art, the story is beginning to wash over me. That’s it. Indifference has set in, and there’s not enough reason to keep this one on my rapidly diminishing wafer thin comic-book pull-list. Goodbye pretty comic book, you were fun, for a while.

Rating: 5/10 (occasionally amusing, great art)

Comic review: The October Faction #3- Waiting for Buffy to make a special guest appearance

Writer: Steve Niles
Artist: Damien Worm
Publisher: IDW 
Released: 10th December 2014


It’s the tone of this comic book that is probably stopping me from enjoying it as much as I want to. It’s that comedy, throw-away, nothing really matters and lets have a laugh at everything in a wishy-washy politically correct, feminist, liberal, oops, is it okay if I say that, kind of way.

If you’ve read any of my previous reviews you’ll know where I’m coming from here. I want my comic books to say something, and I don’t want to see this endless obsession with gender and sexuality politics being played out again and again, where men are weak and indecisive, bordering on silly and effeminate, whilst the women are strong independent ass kicking warriors. That used to be a powerful statement, but it’s the norm now. It’s boring; it’s the consensus, stop telling me the same stories over and over again. Give me something new that doesn’t remind of cultural Marxism and Frankfurt school theories from my college days. I learnt that stuff, but its theories, it's not reality, and it’s old theories now. It doesn’t represent the current state of affairs in a post 9/11, post NSA surveillance, post Iraq, post Edward Snowden, almost post Obama (fake hope and change) landscape.

What I’m trying to say, in a ham fisted way (my bloody computer re-started just after I finished this review, deleting everything, so this is me trying to re-capture the essence of that deleted version in an angry typing kind of way) is that the tone of the narrative in ‘The October Faction,’ is a bit too mainstream, a bit too safe, and a bit too familiar for my liking. It’s saying the same old stuff, and it’s not connecting with me, not doing anything more your average Marvel X-Men book would do. If you like that kind of adolescent stuff then you’ll like this. It’s okay, it’s warm and fluffy and giggly and the old television school-hall stereotypes are thrown in there as well.

In other words, it’s doing the same old Buffy the Vampire Slayer stuff quite well. If you like Buffy or the X-Men Academy, or Wolverine Academy, or anything else that deals with teenagers on the cusp of leaving school and trying to find meaning in their lives then you'll love it.  I just want something more than it has to offer. I’m old. School was a long, long time ago for me, and I don’t particularly want to remember anything about it either.

There are two standout narrative moments in this book, firstly a scene where a tormented bully is shown surrounded by resentful Ghosts of his guilty past, and the end panel with its shocking moment of extreme…. well, I won’t spoil it. These two moments are made all the more dramatic by the stunningly atmospheric artwork and colouring from artist Damien Worm. If you want modern Goth in comic book form, then Damien Worm is your man. He has a way with shading, with bleak, dark colouring, and his grim depictions of lean, desiccated horror are an absolute joy for anybody interested in all things that could loosely be collected up within the Gothic horror genre.

The October Faction is horror in an Adams family, or Munster’s tradition. The characters are not really threatening, they are silly and you know that whatever happens doesn’t really mean anything. This tone, of soft playfulness is broken with the final narrative development at the close of the book, but because that tone of unthreatening silliness has already been so firmly established I cannot get too excited about what happens next in a narrative context. Instead, I am just going to enjoy the wonderfully evocative art, the use of the colour blue was particularly memorable in this issue, and I’ll let the story wash over me. Get this book for the art. The story is a backdrop; the art is the main attraction in this one.

Rating: 7/10 (Rating for the art alone)

Comic review: The October Faction #1: Halloween greetings from the Worm

Writer: Steve Niles
Artist: Damien Worm
Publisher: IDW
Released: 8th October 2014


I love Halloween. Everything about it screams (literally) silliness, fun, excitement and adventure. The cold, wet, dark nights, the Pumpkin lights, the trick or treating, the scary movies, and the even scarier comics as well, of course.

Worm and Niles are the spooky twosome who bought us the wonderfully gothic Monster & Madman, and here they’ve teamed up, just in time for Halloween 2014, to give us another dose of gloom and doom, comic book style.

Truth be told, I was already adding this book to my pull-list before I even read it. All you have to do is look at the names on the cover, flick through the book for a couple of seconds and you’ll already be a fan. The story involves a spooky Adam’s family scenario, monster hunters and mysterious goings ons involving a wife who has slowly become less attached to her husband. Is she having an affair? Nah, that would be far too boring. So what is she doing? What do you think? It’s coffin related, and that’s all I’m giving away.


The art, by the fantastically named Damien Worm, is gloriously gothic and enveloped in shadows, bloody memories of the recent past, seances, tormented spirits and haunted house atmosphere. It’s the colouring that does it. You have to look closely, but don’t linger for too long. You might not like what you find lurking in the gloom encrusted shadows, and once seen the spirits of the dead have a horrible habit of burying themselves into the deepest, hidden recesses of your mind. The book could be written in Mongolian for all I care. The art alone makes it a must by book for all fans of gothic horror.

Are you a Goth? If so, you need this book badly. If you’re not a Goth, then get the book anyway. Trust me, you’ll love it. You’ll discover something new, something awesome, as the kids says these days, or not, probably. I don’t know what the bloody kids are saying these days. What do I know? I’m old.

I’ll tell you what I do know though. I know a good slice of Halloween fun when I see it. This book is exactly what I need in my life right now. My decorations are up, my Medusa head is telling me to look into her eyes, my haunted tree is mocking me, and my Ghoul in a coffin is periodically jumping out at me as I scurry past his place of rest in my living room. Did I mention that I love Halloween? And I also love, love, love this comic. Put down that Batman book, and get yourself something spookalicious, just in time for Halloween.

Rating: 9/10