Showing posts with label capitalism. Show all posts
Showing posts with label capitalism. Show all posts

Thursday, 28 May 2015

Comic Review: Material #1- Slaves to the Wage



Writer: Ales Kot
Artist: Will Tempest
Contributing Author: Fiona Duncan
Publisher: Image Comics
Released: 27th May 2015


There’s a long essay at the end of this book, and it goes on and on and on. Self-obsession, sex references, Marxism and a bit of moaning about neo-liberal capitalism are the themes, but does it really say anything?

I was going to do a short review on this comic book, keeping it simple, unlike that long essay, but as I was writing this review I answered my own question about whether or not that essay actually said anything, and I changed my mind about a couple of things.

Don’t be confused, this won’t be complex. I’m a simpleton, so don’t worry about not being able to understand what I’m going to go on about here. What I have to say about the essay ties in with the themes of this book, so I’ll discuss those themes first.

Material #1 is about unsatisfied, depressed, confused, traumatised, disaffected people.

There’s a Chomsky like professor who is sad, as I expect the real Chomsky to be as well. After all, being a careerist gatekeeper to real truth can’t be that much fun, can it? This professor talks his theories, but is in the process of questioning reality itself.

There’s a girl, an actress, she takes drugs, is creative, and self obsessed. A director wants to make a movie about her. Why? What’s going on here? We’ll find out at as the book progresses.

Next we get some ‘I can’t breathe’ panels of horribleness, with some order followers doing what order followers always do, and a young boy possibly being radicalised by the control system that shouldn’t be as he witnesses scenes of order follower (cop) violence.

Next there is some sex stuff that involves a bloke released from Gitmo. He’s innocent, messed up, and it’s sex stuff. He’s sad and confused, as you would expect him to be, but the sex stuff felt a bit over the top, a bit too outrageous, just for the sake of being outrageous, but that’s opinion. I’m not a fan of the weird sex stuff in ‘adult’ comics. Bottom line, I don’t think that it’s necessary.

Then we get some real world horribleness again, with some panels showing a young boy being interrogated in that Chicago black site called ‘Homan Square.’ Hey, it’s order followers just doing what they do. You vote for a master, you get a goon in a black uniform that’s how it works. That’s democracy, suckers.

Then Chomsky (his name is Julius Shore in this book) gets an email. The email claims to be from the, ‘First artificial human intelligence on earth,’ and finally, amidst the sex stuff and sadness we have some semblance of plot. There’s no connection between the characters as of yet, but at least something interesting appears to be happening.

The book then goes to the self obsessed girl and her movie, hints more about the radicalisation of the young boy, and concludes with the sad Gitmo bloke wanting to have a chat with the girl he pays for sex. It’s a weird ending, but then again, I guess it was supposed to be.

So, what do I make of it all? Look at the subject matter: Gitmo, Police brutality, the radicalisation of youth, useless academic careerism, human life being defined by ‘Market Value,’ and the vague notion that things have to change, if not, we might as well not bother getting out of bed in the morning.

That’s my kind of stuff, the kind of stuff that I talk about on my blog, and in real life, and the kind of stuff that results in one overwhelming reaction.

That reaction being, indifference.

I’m a reality junkie, writing about a genre (comic books) that has an audience of hard working people, busy people (it’s a theme in this book) that have no time for my reality/truth nonsense, and would rather spend their free time reading about superheroes, and cool stuff that reminds them of when they were happy, when they were children.

I can understand that. I can understand the need to escape for ten minutes from a life that sucks. People that know me in the real world, the people that I meet at work and out and about, they don’t really like me. I know. It’s no secret. I’m not a popular guy.

People see me as somebody with too much time on his hands. They see me as somebody who does too much thinking, and not enough working. They dislike me because I jumped off the career, jumped off relationships, jumped off of the endlessly moving airport treadmill (goes back and forwards, but never up) way of living my life. They would like me more if I was more like them, if I stopped writing, stopped thinking, and instead spent all of my day working in a job, any job, just as long as I don’t have this wicked ‘too much time’ on my hands.

That is a mindset, and it’s nicely summed up by writer Fiona Duncan in her essay at the conclusion of this book. (Fooled you. I didn’t hate it. I just thought that it was too long). Here we go:

‘Everything has to be sacrificed to an abstract growth of money, and of value, of nothing. This is madness. This philosophy of the deregulated (neo-liberal) economy where everybody is demanded to give CEASELESSLY in order to survive.’

She borrows quotations from a Marxist (Boo) academic called Francis ‘Bifo’ Berardi, to make her point, but even though I have no time whatsoever for dusty old discredited Marxists, I have to recognise a point well made.

The problem that we have (as a whole) is a mindset problem. We have been taught through our schooling and mainstream media programming (funded by the neoliberal, free-market rulers of our time) that our value as people lies not in our actual inherent qualities as decent, moral human beings, but in our ability to maximise our own profit potentials.

This has turned money into a god, and humanity into a slave to that false god. I talk about the New World Order, and people hate me for it. I talk about governmental control systems (like Marxism) and people hate me for it. They want me to shut up, get a proper career job and to stop talking, please stop talking, just stop talking. They want me to join them, and I understand. The system, the society that has been created around them is all about joining, about maximising your earning potential, and when somebody like myself refuses to play the game, it makes them question the game that they are spending their entire life engaging with.

So what did I think of the book?

I thought that it had ideas that somebody like myself could interact with. It is a very different book, because it’s slow, and it has real world issues in it. I didn’t like the sex stuff, but sex sells, so I understand. Hang on. A book with themes that concern the maximising of earning potential includes a weird sex angle that reads very much itself like the maximising of earning potential. Is that ironic? What did Alanis say? Oh, she was wrong, yeah, funny.

Anyway, it’s not the sex that interests me about this book, it’s the ideas, or the possibility at least of ideas being discussed at all. The essay at the close of the book was a very good idea. It created more scope for thought, for ideas, for somebody like myself to interact with.

Here’s the problem, and I’ve hinted about it during this review.

Material #1 is a book that somebody like me is bound to enjoy and give a positive rating to, but do you know how many people I’ve met in my life who are like me?

Just one, and yeah, obviously, it’s me.

The book is talking about ideas, about the real world, about how messed up it is, about how we need to stop sleep walking through life and start doing something other than making money. Comic books largely cater towards the sleeping sections of society, the workers, the careerists, and the young people that want to join the money making, anti-human system themselves.

I enjoyed the book, and I’ll keep on reading. It intrigued me, it helped me to think, but in a comic book world largely dominated by fanboys/girls who want to chill-out and not think at all, how many other people will be up for this one? I’m the one comic book reviewer who is guaranteed to like this book, but I really do worry about what the other reviews are going to say about it. *

Rating: 9/10 (A rare book, worth checking out)


* Just checked the other reviews. There’s not many. The majority of the reviews gave the book a low rating and didn’t appear to understand it. It’s not surprising, as the mindset that the book is addressing is the same mindset of the comic book reviewers themselves. 





Thursday, 5 March 2015

Comic review: Green Lantern #40- Corporate neo-liberal brainwashing 101


Writer: Robert Venditti
Artist: Billy Tan
Publisher: DC Comics
Date of publication: 4th March 2015


I couldn’t help but read this book as the corporate mainstream whore satanic system trying to make excuses for itself, it’s actions and the fact that the alternative media is destroying its credibility on an hourly basis.

What makes me say that? Just reading the book and seeing how the Green Lantern character (Hal Jordan) is acknowledging that the system that he represents is now seen as ‘Cops, and everywhere we go, people don’t want us.’

Soldiers are not ‘cops,’ they are not peacemakers, they are not flying around the world to save and help poor innocent victim/civilians. They are told that they are the heroes, but that is a lie. We know it is a lie, everybody knows it’s a lie, so let’s start pointing it out. Uniformed order followers of the state operate as the private mercenary army of powerful banking and corporate interests, the 1% that the Occupy movement has been talking about, and ridiculed for it’s truth telling in the corporate whore mainstream media.

Green Lantern #40 is the story of one individual order following soldier. He defends the system that he is a part of, leaving it in order to personally shoulder the blame for it’s recent abuses, all of which are characterised as ‘mistakes’ rather than anything that is inherently wrong with the system itself. He acknowledges that he is not to blame, but he is prepared to shoulder that blame in order to prop up a system that he has religious faith in.

Hal Jordan has deliberately turned himself into a villain in order to back up a discredited control system. The system itself will use this sacrifice to carry on with business as usual. He’s sacrificed himself, just like a good soldier would sacrifice himself for the benefit of his comrades on a battlefield. This is a standard technique used by control systems, and the best thing about it is that no coercion is required, as the indoctrinated individuals willingly sacrifice themselves for what they see as the greater good.

Green Lantern #40 is reflecting the religious faith system of mainstream western ideology. That faith system is an unquestioning belief in neo liberal capitalism, centralised, corporate statism and with an army of order following mercenary soldiers to back it up with violence. The act of sacrifice, of having faith in a system that is rotten to the core, is presented as a heroic thing for a soldier to do.

Sacrifice yourself to the gods of the corporations.

Sacrifice yourself to the gods of the banking sector.

Sacrifice yourself to the gods of the mainstream media.

Sacrifice yourself to neo-liberal crony capitalism.

Sacrifice yourself to wars based on lies.

That’s how it works, hundreds of thousands of Hal Jordan’s pumped up with false pride, indoctrinated, propagandised since birth, sacrificing themselves to the centralised control system, the borg collective hive mind that helps the rich get richer, the poor get poorer and the entire planet enslaved…forever.


Rating: 4/10 (Subconscious mind-set of a neo liberal corporate slave)



*Lead Image on this review is the excellent movie cover variant front cover to Green Lantern #40 by Tony Harris

Tuesday, 24 February 2015

Book review: Parecomic- Who wants an alternative to exploitation and immorality?



Writer: Sean Michael Wilson
Artist: Carl Thompson
Publisher: Seven Stories Press
Released: May 14th 2013
Website:
http://catalog.sevenstories.com/products/parecomic-michael-albert-and-the-story-of-participatory-economics


When you are born into a system it can feel that things have always been that way, that the system is organic, natural, and just the way that things are. Going against it can seem absolutely absurd, a bit like complaining that when you go swimming you tend to get a bit wet.

That’s the feeling you get when you complain about something called ‘Capitalism.’ A system where everybody is competing, everybody is stabbing each other in the back, everybody is exploiting, everybody is devious, nobody is to be trusted. It’s an economic system that encourages selfishness. Get what you can before somebody else gets it first. Morality is irrelevant in capitalism. It is Darwinian. Eat or be eaten. But is that really natural, is that what we are as human beings?

Some would argue that human beings are selfish, immoral animals, and that Capitalism is therefore perfectly in tune with the nature of humanity. Capitalism is selfish, harsh, immoral and violent because that is what humanity is. I disagree with that analysis, but I’ve always been a bit ‘weird,’ a bit different to everybody else. Call me a hopelessly deluded romantic, but I hold humanity in a higher regard than that. I see people as eminently mouldable, and if you place us in an immoral system and tell us that immorality is the norm from a very young age I see it as perfectly natural for us to act with no regards to anyone other than ourselves.

But what would happen to our species as a whole if we were born into a system structured around moral fairness and human happiness rather than exploitation and immorality? Would humanity, being the nasty brute that it is, reject it? Or would it flourish and ostracise anybody still clinging to the old capitalist model of selfish exploitation? I still have hope for humanity, so I’m going for the later, but even if you disagree with my assessment wouldn’t you like to give humanity a chance before consigning it to the dustbin of history? I want to give us a chance, and that’s what this comic book is all about.

Parecomic offers a moral alternative to Capitalism. The narrative follows the life story of Michael Albert, and explores his idea of a ‘Participatory economics.’ In this system, which is explored through conversations between Albert and various individuals, people are rewarded for the duration, intensity and onerous (does it benefit society, or not?) of their work. This is very different to our current system where 20% of the working population exist as a ‘co-ordinator.’ This class of managers and decision-makers monopolise empowering work, and rewards itself way out of proportion to the actual good that they do in the world. They exist as a new privileged class above the 80% of workers who spend their lives doing routine, powerless work with no say, no power, no control over their lives other than doing what the 20% order them to do.

There are two aspects of the ‘Participatory Economics’ model that particularly appeal to me, coming from an anarchist mindset as I do. The first was that there are no centralised governing bodies. All of the decision making in this model is done on the local level through democratic committees arguing through their problems, and then voting on it. There is no central committee telling them what they must, or must not do. It is democratic and empowering, as opposed to the current top down control system that we are currently living under.

The second aspect that stood out to me was the idea (that I introduced above) of a ‘co-ordinator’ class monopolising decision making, and therefore power in the current capitalist model. Albert’s new model dissipates this disparity in power by making work more varied, allocating a mix of empowering and routine jobs to everybody. No longer would there be only 20% of people doing all of the fulfilling work, with 80% doing the routine dis-empowering work. In a participatory economic society people would not monopolise empowering work, they would have to do some of the hard, socially beneficial work as well. Does this mean that a surgeon would have to spend some of his time answering the phone and cleaning the toilets then? Yes, it does. It also means that the person who spent 100% of their work life cleaning toilets or answering the phone will have increased opportunities to reach their full potential rather than wasting away their lives doing a job that sees them as a resource rather than as a human being.

I like this model. I like how it empowers people. I like how it is based on social good, on morality over greed and selfishness. I like how it sees the best in humanity and wants to help people reach the fullest of their potentialities rather than fit them into a disempowering system that exists to keep a tiny number of the population rich beyond belief whilst the rest have to struggle in a dehumanising system just to survive. I like how it takes the classic Marxist model of class conflict (Bourgeoisie versus the Proletariat) and adds a third class, that being the new 20% ‘co-ordinator’ class, a class that currently monopolises empowering work, and subjugates the majority through their increased levels of self confidence and access to decision making. But what I like best about this model is that it offers solutions to our current predicament that are non-centralised, democratic and based on morality and trying to make the world a better place for everybody.

Parecomic details this model in much more detail than I do here, so if you are in any way intrigued with what I have just discussed, then please buy the book. It’s part biography and part dissertation on the new economic model of participatory economics as outlined by Michael Albert. It’s a surprisingly entertaining, page-turner of a book, so don’t get hung up on the idea that you are going to be reading a dry academic book about economics. It’s clear, concise, enlightening, world expanding, entertaining and it will have you thinking about solutions to the current capitalist model of exploitation of the masses on behalf of the most ruthless, most privileged, most inhumane, most immoral, most selfish, most satanic of this planet’s population.

If you want solutions rather than complaints then this is a must purchase book. It fascinated me, and I read it as I would read any Stephen King page-turner. That says two things. Firstly, that writer Sean Michael Wilson and artist Carl Thompson did a fantastic job, and secondly, that Michael Albert has a model of change that resonates with truth.  Real change has to be economic change, not political rhetoric, and that is what is offered here. The ideas expressed within are world changing. If you have time for Batman then you certainly have time for this.

Rating: 10/10





Thursday, 27 November 2014

Comic review: Conan the Avenger #8- Individualism versus corporate collectivism


Writer: Fred Van Lente
Artist: Brian Ching
Publisher: Dark Horse Comics
Released: 26th November 2014


I always go back to my old Conan comics, reading them again and again to remind myself that comics can be good, if done properly. I need the reassurance every now and then, especially after reading bloody awful, intelligence insulting mainstream comic books that obsess over race, sexuality and gender politics, whilst deliberately ignoring the important issues of our times.

Break down their centres of control
You know what I’m talking about here, right? I’m talking about corporate/banking criminality, endless wars against media generated villains, a lack of political representation for the 99% of ordinary people, unthinking statism and the worship of order following abusers in positions of lawless state authority. These are the pressing concerns of today, not skin colour, race, religion or sexuality. These are the issues that comic books should be addressing. They are not doing so, and you don’t have to be a genius to understand why.

A good Conan comic is about individuality, and standing up for yourself whilst sticking to a strict set of moral codes, punishing the corrupt and being kind to the weak. Conan is not a government agent; he’s not an uniformed enforcer, he’s not an order follower, he’s not a good corporate slave. He would be completely out of place in the Marvel comic book universe of 2014 where order following state slaves are portrayed as heroes and true individual, independent masculine heroes no longer exist. It’s not a ‘conspiracy,’ it’s a corporate thing.

Marvel/Disney is a corporation that relies on consumer slave culture, and so it pumps out consumer slave heroes. It’s only natural for them to do so. They can turn Captain America black, or turn Thor into a woman because that is perfectly allowable within a corporate culture that sees humans not as individuals, but as passive consumers. How do you double your consumers? You get women to buy your crap as well as the men. Marvel doesn’t turn Thor into a woman because it cares about women’s rights. They turn Thor into a woman because they care about female consumers. It’s not about morality. It’s about business. What Marvel cannot do is push stories where the hero is an individual; a man who works outside of the collectivised, government sponsored Avenger/Corporate status quo. Pushing individualism is bad business for a corporation that relies on herd mentality consumer repeaters.

Conan the Avenger #8 is a good old fashioned Conan tale. It’s lacking an element of magic and sorcery at the moment, but it has political intrigue, a gorgeous slave girl for our hero to rescue and a despicable villain who is suppressing the people through threats of violence. It’s what all villains do. Threatening people with order following goons and bureaucrats is at the heart of what government is all about. It’s what your government is doing to you and your family right now. It’s what all governments do, and that’s why we need to get rid of them, all of them.

Conan ends up as King Conan at the end of his life, so he’s not perfect. But he’s always a sad King, a reluctant King who doesn’t really enjoy the position that he has attained. He’s not the power tripping type. He’s melancholic, a bit confused, and a bit in need of a book about anarchy if you ask me, because that’s what all of his adventures are about. They are about fighting against control systems, against kings, governments, wizards and every other kind of scumbag who has set himself up in a big White House on the hill. That’s why I like him, and that’s why he’s my comic book hero.

This particular Conan book is very well drawn, it has some gruesome battle scenes, it has a good villain and it closes on a cliff-hanger where Conan is staring down a wall of archers. Oh no, he looks in trouble this time. How is he going to get out of this one? I like that in my comics. Give me a cliff-hanger, give me a reason to look forward to the next issue, don’t rush things and have some fun with it all.

So far Conan the Avenger is a pretty decent Conan book. Conan is young, he’s not that talkative, he’s taking things in, learning and strategizing as the adventure progresses. It’s good stuff, far better than the cops and government agent crap you get from DC and Marvel. If like myself you get fed up with corporate Police state propaganda then you’ll get a kick out of it. Conan is still Conan in Dark Horse comics. They haven’t turned him into a girl. Not yet anyway.  He’s still fighting against control systems, and he’s still the main man, the number one hero in the comic book world of 2014, just as he was in the 70’s and 80’s and 90’s and 2000’s. All hail King Conan, the melancholic, anarchist hero who doesn’t want to be a King.

Rating: 8/10