Showing posts with label VON. Show all posts
Showing posts with label VON. Show all posts

Tuesday, 13 June 2017

VON - Dark Gods: Birth of the Architects (Join me on the Mountain Top)




Musical accompaniment is needed for the disaster movie of our times, as we witness western societal collapse into moral and cultural relativism, and the inevitable consequences befalling a society that no longer has any shared moral or spiritual bonds to shield it from attack. ‘Dark Gods: Birth of the Architects’ by ‘VON’ is an essential gift to the watchers of this ongoing, self-inflicted farce/tragedy, a moment in time where we can witness the fall of an entire civilisation. Unfortunately for us, that civilisation is our own, and the collapse, enabled by the left, pushed in schools, colleges, boardrooms, and on our television/movie screens, books, comic books and newspapers, is happening right NOW.

Listen to the sounds of decay, as VON take you back to where it all began, with mother, choices, and the reawakening of demonic forces that were there from the very beginning of humanity. In self-satisfied, virtue signalling deference to evil we invited them back in, allowed them to feed, and now, sated, they have began to set fires to our hollowed out institutions, accelerating the collapse of all that was built by men far better than ourselves. 

So sing along with VON as the world falls apart. Wail in despair at all that we have done, and how we took the architecture of western civilisation for granted, and so easily, lazily, apathetically, and with ignorance masquerading as virtue, gave it all away to ancient enemies, from the outside, and (to our everlasting shame) from within.


Dante in Hell, observes frozen traitors to their own people.



-To the nothing that we have become:


Atomised, so easily defeated into individualism, a bottom of the caged barrel concept, where trapped animals dig claws into the only companions that they will ever have.

Man built, listened to the enemy, and elevated the least worthy. Children reared by government strangers. Generation snowflake screams about safety, but can never be safe, in hashtag era of nailbomb inevitability, an era inheritance from boomer, into nihilism and relativism collapse.

Drugged children grow up into drugged adults, from Disney and Ritalin, to career, mortgage, debt, politics, television, and pills for anxiety and depression.

Why depressed? Why do I feel so sad? Why do I feel so empty?

Oh God twitter, why do you never reply to my lonely prayer call?

Dying boy, in bedroom, stasis the Internet, and fucking conspiracy theories. Daddy is gone, and mommy does not care. Free and independent, curtains drawn, in government containment camp he browses for answers, moribund, hidden from his neighbours, and the sun outside.

Councils and Bilderbergs rear political puppets that masquerade as choice, to the animals on the farm.

Hey George, Tony, Oh Tony.

Old left zombie re-birth. Rebel alliance, girls and blacks on television, movie screens, fuck it, you better say it now kid.

Boy, you better start talking. Friendless anyway, as end time looms, we all die alone.

Culled, easily, bedroom casualty, walking towards stickman, tax stick, electronic, the currency will kill us all. So easily convinced, but convenience is death. Annihilation sold as a benefit. We wanted it, invited the vampire in, and now she does what the vampire does, sucker, she sucks.

It all returns to mother, shielded from criticism by a word, and from velvet slippered choice we began to descend, into empowerment of weakness and guilt, so sowing the seeds of our own destruction. We did it all for her, but now look at what she has done to us.

Enemies invited in, by dear in power mother, as our new Roman Empire collapses, into relativism, dampened fires rekindled, old fires that were there from the beginning.

‘My truth’ means never a true word spoken, and Godless as we are, ‘truth’ becomes an opinion, and deceit cancers us all.

Oh, reap now, farmer of lies, for the harvest of no opinion truth is upon us.

From invasions, to conspiracies, compromise, convenience, tolerate the trucks of peace, death, into tombs of never was, with eternity pissing on the grave of a Godless, nihilistic, empty, divided people, judgement time is NOW.

So we, the culpable masses, we finally did it.

Stripped naked on the altar of progression, doused in Sunni petroleum, with Karl smiling from the pit below, a flame arose from the heart of us all, and western civilisation roared into flame.

In death, I spit out the fumes of burning corpse surrender, step outside of the flesh melting pain, into soul, with judgement hanging over what I have both seen, understood, and done.

Oh my God, here I am, waiting, it was so hot down there, and the people didn’t care, and the flames of self-deceit increased in temperature, slowly, then quickly, engulfing them all, and I could not help, though I tried, and I tried.

But now, my end begins, no more struggle, no more lines, they fade as judgement time is here, and eternity beckons before me, as lawyer word time finally ends, forever.


(‘Dark Gods: Birth of the Architects’ by VON: A soundtrack for the end of western civilisation, can be purchased, below. Buy it, and sit with me here, for a while, on the rise of Mount Purgatory, watching the city below, in all of it’s multicultural diversity, surrendered in hashtags and love, as it's culturally enriched with trucks, stabbings and nailbombs, and the people watch in paralysed impotence as everything that was built up through generations of sacrifice and courage is burnt to the ground, and all for the fear of a six letter word that silences us all.)

https://riseofvon.bandcamp.com/album/von-dark-gods-birth-of-the-architects-12-booklet-edition-digital-album





The climb had sapped my last strength when I cried:
"Sweet Father, turn to me: unless you pause
I shall be left here on the mountainside!"
He pointed to a ledge a little ahead
that wound around the whole face of the slope.
"Pull yourself that much higher, my son," he said.
His words so spurred me that I forced myself
to push on after him on hands and knees
until at last my feet were on that shelf.
Purgatorio, Canto XXXI:









Wednesday, 1 February 2017

VON - DARK GODS: ABANDON (Review): Generation Abandoned




VON - DARK GODS: ABANDON (EXCLUSIVE CD SINGLE + COMIC BOOK)
ABANDON EDITION
REGULAR COVER (LTD 25)
*Includes an exclusive advance CD single "ABANDON" taken from Dark Gods: Birth of The Architects Vol.II by VON (Available now for just $5)



*THERE IS A 50% DISCOUNT CODE FOR ALL VON PRODUCTS AT THE END OF THIS REVIEW


‘Don’t leave me here, mommy, please don’t abandon me’ and she does. A day spent working as a cog in a machine is more important to her than the child that she abandons.

LEFT alone in a day-care centre, the trauma begins early.

Tolerance
Substitute mommies are Doe afraid, spreading their toxic paranoia through the day-care centre into vulnerably abandoned minds. The natural female urge to caution, an urge caused by pregnancy, weakness, lack of body-mass, fear of attack, cancer spreads to ALL of the children, young boys becoming as frightened as the young girls. Gender identity is destroyed by anxiety. Masculinity is the outsider, the other. It’s something ‘dark’ to be feared, to be afraid of. All present in the day-care world of insanity must conform to the toxic soup of feminised trauma, fear and abandonment. There are no boys, just defective girls who need to be controlled.

The day-care world of frightened, traumatised, ABANDONED, children, raised in paranoia, are ABANDONED again into government school collectivism, dogs biting dogs, survival of the most brutal, trauma now a daily occurrence, school the Hell that will stay with you forever.

Into lost young adult world now, we move to purple hair, nose piercing, communist college life. Abandoned traumatised children, you finally have a home.

Diversity
Safe space, love trumps fear, hate facts, Nazi, Nazi, Nazi, stop bullying, feelings are all here, I need safety, bigot, away with your patriarchal mansplaining hatred, man. I need no man, brutal man, I knew you at school, generations raised by strong independent women, in fear. My mum did it by herself. No man needed. I’m gay, anyway, probably, perhaps just a little bit bi. No family needed. I need no daddy. I am a Star Wars girl, a force awakened girl, a man-girl, living in delusion, a life in dreams of gender independence. Hitting the nasty man in the face, he’ll go down, just like in the movies, oh crap, he didn’t.

In digital isolation, the hatred grows in collectivised faux-family, black-masked belonging, for isolation has peeled the skin of the mind, leaving a shell-being, programmed by Hollywood where the only solution to disagreement is a love trumps hate brick in the back of a Nazi's head. Show your family that you love them. Hit, hit hard, from behind, and run, we’ll cover for you. There is no debate, no platforms here, twitter block, violence solves problems, why talk when you can hit? Reality is the Internet in my mind, agree with me, like my comments, all dissenters will be exterminated.

Respect
‘DEEEEESTTROYYYYY’

‘I WILL KILLLLL YOUUUUUUUU’ 

I am a good person, and you are bad. The brick that was launched into the back of your head did come from my hand, but it was aimed with the righteousness of my convictions. You die because you deserve to die, and your blood on the pavement shall be washed away by my love juice of tolerance, diversity and respect. How am I to blame for the consequences of my actions? Love trumps hate, and streets must run with rivers of blood to reclaim this world from Nazi assholes.

Hatred, violence, bigotry, self-righteousness, birthed in that day-care centre, ABANDONED child slides into ABANDONED adult, all-alone, joins the illusion of family that is offered in college class delusion, lashes out, arrested, cries now, waits for his visitors, who tell him that he is an AntiFa hero.

Oh VON, tap into mouth I look at the world as it is today, listen to your warnings, and sense is made from the madness that surrounds me.


Disclaimer:

The music of VON offers human truths, but they are not a political band. They are neither left, nor right. Do not read this review and think that VON would ever agree with anything that I am saying here. I listen to their music, and this is MY interpretation, not theirs. 'Abandon' is a song of hatred growing from a sense of being abandoned. I link the feeling of abandonment to real-world events happening in a world still getting to grips with a masculine president who is a bit more than just another soft leftist puppet controlled by the globalist elites. I am a huge fan of Donald Trump. VON has no opinion on the matter. If you hate this review don’t blame VON. Blame me. I don’t work for a corporate magazine. My boss is not a leftist. My boss is the bloke with a daft beard who looks back at me in the mirror. I say exactly what I want to say. I am free, yes, truly, and that is why I’m so bloody annoying. VON, as ever, offers a portal into something  dark that hides within the deepest recesses of the human soul. I see that darkness exploding into the world right now, and I see it in the violence of the left as they try to come to terms with the fact that they are on the losing side of world history. VON offers you a ‘safe-space’ to explore that darkness. Put down the brick, take off the silly black clothes and enjoy the music of VON. It’s much better for you than spending another night in the back of a Police van and a lot more fun as well.



To open the door to VON click on the link below, choose from the abundant supply of VON goodies, and use the code “rant” to get 50% off all purchases. That is a crazy good deal. Take advantage NOW.
https://riseofvon.com/von-records



Monday, 23 January 2017

VON - Dark Gods: The Council of Seven (Comic Book CD Single)



*THERE IS A 50% DISCOUNT CODE FOR ALL VON PRODUCTS AT THE END OF THIS REVIEW




Violence beginning with the stalk, undercover, cloaked, watching, then a burst of energy as the lizard brain darts to attack. In teams with the uniformed solidarity that injects courage into the meek, illusion of strength feels intensified. A double-attack, no, let’s do it in our council of seven.

I watch the Marxist little boys and girls on Washington streets, black-clad, masks covering, slogan chanting, claiming victimhood, as all coward criminals, do, it’s a personality type. Watching as I listen to VON, marching bands, seething bitter menace, the totalitarian leftists of new Trump-era 2017. Young college kids, inventing bravery narratives whilst being protected by the cops they claim to despise.

‘He punched a girl. Arrest him.’

The cops, my new heroes, ignore them. It’s funny, the evil that black-clad weaklings manifest. Did you know that evil is a joke? I never understood it before. What gives ‘Birth’ to chanting spoilt not going to work fools?

Quiet again now, creeping, building. I can see a young Marxist male in a squat, twenty-one years old, impressing a girl. She needs a home, masculine guidance. Messed-up, lost, she just wants somewhere to belong, but more than that, she needs male love. How long do they have? Is it months, a couple of years? Going back to the college, to see if he can retake that course again. The dreadlocks in his hair can stay for another semester. She re-reads the old book that she didn’t quite understand. Feels smarter than white supremacist bourgeoisie, the class enemy of proletariat utopia. Poor dry rich desert girl, in love with tall boy because he talks of the Leninism interpretation that will redeem it all.

Evil is weak, ill, yellowing, it punches you in the face, and screams about victimhood. Evil detests authority, then runs to government guns when genuine rebellion strikes back. VON gets weak. VON gets the mindset of self-pity and violent decay. VON opens doors. I always talk about doors. I’m attracted to them. I like looking in. In the past, decades past, I would jump in, and slam the doors behind me. I bear upon me a scarred mistake, a badge of regret, a stain of youth to remain forever.

Today, with a mindset no longer in the gutter and looking at the stars, I still play it, the game of evil, but with Ariadne’s thread now firmly around my waist. I go there, to the land of sickness, places that VON can take you, but as the thread tightens I return to safety before danger engulfs me in the darkness of my past.

I offer to you now, a ball of thread. Here is my discounted entry point. Click on the link below, chose your room of exploration, put in the code “rant” and you will receive 50% off the full price of admission. Take advantage, but be careful, for VON is the same yellow evil as Marxist Anarchist weakness. Unravel my discounted thread, explore, but please come back to safety in daylight of Trump’s new world of do it yourself masculinity.


I get poetic, but there’s always truth in my words. Clink on the link below, choose anything from the site, and put in the code “rant” for a 50% discount. Explore VON, pick your poison, get in and see what is literally, on offer. VON is a labyrinth and there is a Minotaur there. Enjoy, but be careful. Doors are closing all of the time, taste the reality of evil, but don’t get lost within the labyrinth of eternal dark regret.


Click here to discover VONhttps://riseofvon.com/von-records


Use DISCOUNT CODE: “rant” TO GET 50% OFF ON ALL ORDERS.



Friday, 20 January 2017

Black Metal Review: VON - DARK GODS: BOOK ONE + DARK GODS: MOTHER (CD SINGLE)


Tracks:

1- Mother: 8:30

2- The End: 5:08


A wounded creature, torn into a million infected pieces, poisoned with a nihilism of the soul, agonisingly aware of the sickness that condemn his life, whispers, pleads, cries and finally, sings to the life giving agent who started it all.

‘Mother,’ you do not want to make soul contact, for there is madness here, a sticky madness that binds to the abyss. Take the hand of your guide, and visit the frozen no-man land where insanity reigns. Breathe in the intoxicating dankness of the pit where there is blood on the walls, but do not linger. Be as a tourist, explore in safety, but then, please, return quickly to the love of your family and the sanctuary that is your home.

Two songs, ‘ Mother,’ a wail of disease, wallowing in degradation, on a cold marble floor, stained red with deep scars of despair. Did you really do what you think you have done? Ponder on it, for you have all of eternity, here, now, in stasis of regret, sick-boy you have reached ‘The End.’

Available at the link below, with an excellent comic book, raw-pain alien lizard god art, a narrative of Nephilim and bloodlines, sleeping Gods, awakening, a vessel, a boy, destruction of the world. If you are like me, if you are a student of Bible prophecy, Zecharia Sitchin, David Icke, Erich Von Daniken and Graham Hancock, if you know these names, you’ll want the comic book. If however you are reading these lines with a puzzled look upon your face, stop, it’s okay, there’s a door opening. Buy the book, CD included, read, listen, experience. The doorway to VON has opened for you.



Click on link. Buy now, music and book or digital single. Use the discount code "rant" and you will receive an amazing 50% off all orders. You can thank me later:

https://riseofvon.com/dark-gods-comic











Friday, 2 January 2015

Comic review: Dark Gods Book One- Manifestation of evil




Writer and artist: Jason ‘Venien’ Ventura
Published by: VVURRMZFLESSSHHH Publishing
Released: November 2014

Website:
http://www.riseofvon.com/rise-of-von

The Culling, music video by VON:
https://www.youtube.com/watch?v=la_gn9zNYKk


The concept behind this book is not as confusing as you might at first think. If you give the book a quick scan, a lazy read, as if you were reading a typically mindless Marvel or DC comic book for example, then you might leave the experience feeling utterly bewildered and not that impressed with it all.

The aim of this review then is to tell both potential readers, and those who have scanned and disregarded the comic, to take a moment, to clear yourselves of all earthly distractions, to take your time and to slowly read the book again, and again.

If you do this you will find that the book is very rewarding, and well worth taking your time with.

The narrative is actually quite simple, so don’t let the lush, detailed, almost abstract nature of the artwork, and the poetic/lyrical text distract you from a story that is about the origins of mankind, and the manipulative ‘gods’ that are playing with humanity like a puppet on a string.

Without going into excruciating detail, the narrative is thus:

Mankind was created by a race of immortal ‘gods.’ These creatures have manipulated mankind from the very beginning of our creation. Their manipulations are subtle, sometimes its direct, other times it’s just a disease of the blood. This is the modern world era of states, of World wars, of Nazi’s, of the world that we are still living in today. The gods fight amongst themselves, and planet earth is merely a smaller piece of the larger puzzle. Humanity is merely a bug, the agenda is bigger, and the goals of the gods are interstellar, working beyond the limited scope of this time, of this place, of this reality.

A troubled young boy manifests a creature, a god? What is going to happen to humanity? What role will the ‘architects,’ the immortal beings who gave birth to the ‘gods’ themselves play in this unfolding drama? What will happen when the hidden manipulative element within us all manifests itself in this physical reality? Is this the end of the human race? Perhaps humanity needs to come to an end? Or, perhaps the seed of the gods; the evil seed within us all can finally be rooted out by the eternal architects, the parents of the universe?

Perhaps, or perhaps not.

That’s quite a bit of meat on the bone, don’t you think? But this is not just a comic book. It’s a sonic soundscape as well, manifest into this reality through the artistic, musical and creative talents of Jason ‘Venien’ Ventura. He has created a huge, all-encompassing consciousness concept that encapsulates everything that is happening in the world today. If you are familiar with names such as Icke, Sitchin, Velikovsky, Von Daniken, Hall, Hancock and many others then this project will appeal to you, big time.

My particular book came with a CD single of ‘The Culling’ a marvellously hypnotic, creepy as Hell track where the ‘gods’ detail their plan to cull the human race, to kill off the useless eaters before putting their final end game plans into operation. It’s awful, but I can’t think of any single piece of music that I’ve listened to in the past decade that is so in touch with the zeitgeist of our awakening Internet information times.

Perhaps we are indeed living during the end times, the time prophesied in the Bible? A time when the seed that is within the bloodlines of us all germinates, exploding into a final blood-bath of ruination, of destruction of the entire species, of the entire reality paradigm that we currently occupy as a diseased, destructive and state worshipping blood hungry, tormented and twisted order following race?

Are you ready for the end of everything? Are you ready for the time of the great culling? I sense a god manifesting. I sense something happening. I sense that an ending is imminent. Sometimes a concept encapsulates an age. It acts as a conduit, drawing everything into itself like an oracle of ancient times. The ‘Dark Gods’ concept that has been created here feels like an oracle of today, prophesising, warning us of what is to happen next on the blood drenched path that humanity has spread throughout it’s short and violent reign upon this planet. Something is being channelled. A manifestation seems imminent.

Rating: 10/10