Comic Review: Sandman Overture #5- “Hey Barry, get out of your bedroom, it’s lovely outside.”

Writer: Neil Gaiman
Artist: J.H. Williams III
Colours: Dave Stewart
Publisher: Vertigo (DC)
Released: 27th May 2015


Sandman has returned, belatedly, and I enjoyed wallowing in the slow, bedroom depressed, self questioning, unsure about activity or inactivity world of 90’s gloom once again.

The art works perfectly with the mindset on display within the book. There’s a cat, the Goth King (Dream) mopes, he’s unsure about everything, a war is going on, a battle against the blackness of staying in his bedroom, and the difficult world outside, where everything is being destroyed anyway.

Why not settle down with a nice woman, asks his Mum? Goth bloke mopes, back to his bedroom again. Who is to save him? A text message, destiny forces him out, and his cat has a nice surprise for him in the kitty litter.

The delay on this title has been so long, but it works, because when the book finally does turn up, the narrative itself is all about themes of delay, being static, thinking about destiny, and time, and dreams.

‘I did not need rescuing. I was doing perfectly well on my own.’

Of course, he wasn’t, and as he falls reluctantly back into reality would it be so hard for him to mumble a small word of thanks?

Kids, 90’s Goth kids at that, what are you going to do? They just need a bit of sunlight, to go to the park with their younger siblings, to play on the swings and have a laugh, swings always cheer them up.

Yeah, I enjoyed Sandman Overture #5. The art is beautiful, the story is as Goth as Goth gets, and although Dream doesn’t smile, there’s hope in the litter tray, sunshine on the swings, and it’s nice to see him getting out of his 90’s bedroom, at least for a short time.



Rating: 9/10 (Enjoyable 90’s Gothness)

Review: The Sandman Overture #4- Nothing is happening here

Writer: Neil Gaiman
Artist: J.H. Williams III
Publisher: Vertigo (DC)
Released: 17th December 2014


I could never completely lose myself in this new version of the Sandman, mainly because the allegorical/metaphorical wall being created by writer Neil Gaiman is a little too thin, too flimsy, too see-through to allow any real emotional engagement or exploration of deeper spiritual/moral truths.

The problem here is that writer Neil Gaiman’s meaning is all too clear, and it’s not very interesting at all. In ‘The Sandman Overture #4 the writer looks at what he has created, at the doors it has opened for him, talks about access to ‘stars’ and decides that his creation will not be killed off, rather he will put it into permanent stasis.

This means that Neil Gaiman is going to write other stuff, and leave his Sandman book in the past, where it probably, and most certainly safely, belongs. There is no deeper meaning here. There are no deeper spiritual or moral truths being explored. This is a book about a writing career. It really is as self-indulgent as that.

Issue #4 of this six issue series feels like the end. It’s strange, because there’s two issues left. If Neil Gaiman is trying to make his readers lose interest in the Sandman character and the universe he inhabits then he’s doing a great job here.

Perhaps that’s the entire point? Perhaps he’s just fed up of it, and this book is a final squeeze of the lemon before a final discard?

It hasn’t been as bad as those instantly forgettable Watchmen prequels of 2012, but after reading this particular issue I got pretty much the same feeling. It’s a book that’s tapping into old memories, but not creating new ones of it’s own.

Give it a few years and Sandman Overture will be regarded as a needless full stop to something that had already ended. It's not bad, but it’s not particularly good either. It’s that awful middle, the lukewarm curse of the world called indifference. If you are new to the Sandman universe then don’t start here. Read and enjoy the old books. Nothing is happening here.

Rating: 4/10

Comic book review: Sandman Overture #3: Reader meet author

Writer: Neil Gaiman
Artist: J.H. Williams III
Publisher: Vertigo (DC)
Released: 30th July 2014

Morrissey knows- https://www.youtube.com/watch?v=oCR8T5YFHg4

It’s been a long wait, but we expected that, and now after reading the third instalment of The Sandman Overture I’m more certain than ever that what Neil Gaiman is doing here is working through his career as a writer, and the success that his most famous creation has given to him. 

I don’t know anything about Neil Gaiman’s life story, and I’ve only attempted to read one of his novels (it was boring and I stopped reading one third of the way through), so I’m not a fanboy. I enjoyed reading his Sandman comic books in the 1990’s, and I left it there, in the past. 

This new Sandman book has a nostalgic quality, and that’s why I’m reading it. It reminds me of some horrible times in my own life when I didn’t have much to look forward to apart from a good book.

Sandman was a good book, it opened a door to something better, something more interesting than my own lead weight life of predictable reality, routine and sleepwalking through crowds of horrifyingly indifferent people. 

I welcome its return, but everything has changed. Not just in my own life of course, but in the wider world as well. Read my other reviews, as that’s where I’ll detail the changes, this review is going to be simple, precise and short.

Sandman Overture #2 is heavy in text, and some of the background art looks wonderful. It has that mythical, mystical, intergalactic, otherworldly, spaced out quality that makes you think of larger, weightier concepts than everyday concerns on planet Earth. You can get lost in this world, and that’s exactly what the Sandman books used to do so very well when they were new, different and special.

The fanboys will appreciate that. They can pretend it’s still 1996. They do love to do that. I however read nothing in this script other than a writer talking about being a celebrity (a ‘star’) and how to deal with killing off the character that made him a star in the first place. Is it a subconscious thing? I think so. Gaiman is sitting down and writing his reality into the world of the Sandman. 

It’s not a bad book. It’s a book with a famous author revisiting the character that has allowed him to live a life as a celebrity writer. If you want to know how Neil Gaiman really feels about the character that made his name, then buy this book.  I can’t get anything else out of it.

I’m 100% positive that I would have loved this book if I read it back in 1996 as a bored and alienated young man. However, in 2014, and as the man that I am today, I read it, put it aside and think, man, life has really changed me. That’s all. 

Rating: 7/10